loop: crossfade the Gate sustain seam, and unshadow the loop handles that made loop points look gone

src/core/instrument/CLAUDE.md

@@ -115,7 +115,8 @@ start point, Gate has modifiable loop points too. In addition to amp env, there
 pitch envelope/curve (AD?) which is off by default."*
 
 - **Gate — classic held note.** Note-on enters the amp envelope; note-off enters
-  release; a sustain loop applies for held notes. Envelope is **AHDSR**: `0→1` over
+  release; a sustain loop applies for held notes, cycling indefinitely until note-off, with a
+  user-parameterized pre-seam crossfade at the reset (`engine/loop/`). Envelope is **AHDSR**: `0→1` over
   attack, hold at 1 over `holdFrames`, `1→sustain` over decay, hold sustain until
   note-off, `level→0` over release. `holdFrames == 0` is exactly the pre-Gate ADSR — a
   back-compat degenerate.
@@ -257,6 +258,7 @@ anything for a trigger shape.
   - `live_params.h` / `live_params.cpp` — the live-parameter block: `LiveValues` (the plain, trivially-copyable bundle the audio thread observes), the single-writer `LiveParams` seqlock that publishes it without a lock or a torn read, `foldLive` (the ONE derivation from `PlayParams` — every publisher goes through it so the two representations cannot drift), and `ValueRamp`, the per-frame glide whose EXACT termination is what lets the filter's equality-compare cutoff skip re-engage. Links no engine: the block is a value the voice observes, not a thing the engine owns.
   - `voice.h` / `voice.cpp` — one voice. The per-SAMPLE render half (`advanceFrame` and everything it calls) is INLINE IN THE HEADER by RT constraint; the per-NOTE half (note-on setup incl. the Preserve ring prime, legato retune, gate-off, the off-thread shifter presize) is out of line in the TU. The voice owns its own `VoiceFilter` and filter envelope, run between the pitch stage and the amp multiply — see `engine/filter/CLAUDE.md`. **Documented ~600-line-ceiling exception** (root `CLAUDE.md` structural heuristic 1): `voice.h` sits over the ceiling because `advanceFrame`'s RT-inline constraint forbids the seam a split would need — a documented exception, not silent overshoot.
   - `voice_engine.h` / `voice_engine.cpp` — `VoiceEngine`: note routing, bounded-stealing allocation, user-parameterized voice count (1–32, default 16), `VoiceMode` Poly/Mono (last-note held-note stack, `MonoTrigger` Retrigger/Legato), two-tier panic (CC 123 = all-notes-off release, CC 120 = immediate hard-stop including Trigger one-shots), and the block render loops. Preview injects a synthetic note-on at the loaded capture's root note into the main `VoiceEngine` — no dedicated `PreviewCard`; preview obeys polyphony/mono/voice-stealing/envelopes.
+- `engine/loop/` — the sustain loop's ONE validity/clamp fold (`resolveLoop`) plus its pre-seam crossfade geometry and the editor's default handle span; see `engine/loop/CLAUDE.md`. The voice folds it once at note-on; the crossfade weight is header-inline because it rides the per-sample read.
 - `pitch_shift` — hand-rolled **correlation-aligned SOLA** (splice-overlap-add) pitch shifter for the Preserve playback mode: one active read tap chases the write head at the shift ratio; each splice jump is refined by a cross-correlation search so the new read point is waveform-aligned, then old and new taps are crossfaded (raised-cosine, amplitude-complementary). Replaces the prior dual-tap OLA whose fixed half-window tap offset caused anti-phase cancellation on many source frequencies. **GA2:** ring buffer **primed with the actual upcoming source** at note-on (was zero-filled) → gap-free frame-0 onset, ~25 ms Preserve onset latency eliminated (Preserve now speaks on frame 0, matching Varispeed), and real-content-bounded tail (last-window tail-truncation gone). No third-party dependencies; RT-discipline: no allocation in `process()`.
 - `velocity_curve` — pure velocity→amp transfer curve: `VelocityCurve` evaluated by a Fritsch–Carlson monotone cubic Hermite spline (no overshoot outside [0,1]). `eval(velocity)` called once per note-on. `flat()` default (y=1, every velocity→unity) replaces the prior fixed `velocity/127` path — a deliberate non-back-compat behavior change (Daniel-approved).
 - `master_gain` — pure dB↔linear taper math (FB1): normalized [0,1] ↔ dB ↔ linear for the post-mixer master gain control (−∞…+24 dB, norm 0 = true silence, unity ≈ 0.714). Shared by the editor knob and the processor multiply so the needle, persisted value, and audio multiply cannot drift.
@@ -264,7 +266,7 @@ anything for a trigger shape.
 ### `map/`
 
 - `sample_map` — the bank blob → selected capture resolve, the channel policy (downmix / dual-mono / L-R split), `InstrumentParams` (the ONE parameter set: root/loop/start overrides, keyTrack, velocity curve, `PlaySeconds`), the single override-beats-intrinsic fold (`resolveCapture`, shared by the bank and refs paths so they cannot drift), and the `SampleData` build. **Wall-clock times stored as rate-free SECONDS, resolved against the live project rate — NO hardcoded sample rates in `src/`** (Daniel's standing ruling, load-bearing). Deliberately does NOT link the voice engine: the build's product is plain `SampleData`.
-- `component_state_io` (`core/instrument/map`) — the `ComponentState` envelope + params-payload binary codec (envelope v1…v11, params payload v1…v10), split out of `sample_map` (Q-W2v, T4-13 ≡ T2-07) so BOTH artifacts can link the codec without the extension pulling in the whole voice engine to serialize one preset blob — the extension's `instrument_drop` and the instrument's processor read/write the identical bytes, so the cross-artifact contract cannot drift. Payload v1…v7 are the RETIRED per-zone lists: still read, lifting by adopting zone one's capture + parameters (that first zone is what the old first-match resolve actually played, so it is also what supersedes the envelope's stored selection id). Payload v9 appends the per-voice filter tail; a v8 blob is a strict prefix of it and lifts to the off/neutral filter default.
+- `component_state_io` (`core/instrument/map`) — the `ComponentState` envelope + params-payload binary codec (envelope v1…v11, params payload v1…v11), split out of `sample_map` (Q-W2v, T4-13 ≡ T2-07) so BOTH artifacts can link the codec without the extension pulling in the whole voice engine to serialize one preset blob — the extension's `instrument_drop` and the instrument's processor read/write the identical bytes, so the cross-artifact contract cannot drift. Payload v1…v7 are the RETIRED per-zone lists: still read, lifting by adopting zone one's capture + parameters (that first zone is what the old first-match resolve actually played, so it is also what supersedes the envelope's stored selection id). Payload v9 appends the per-voice filter tail; a v8 blob is a strict prefix of it and lifts to the off/neutral filter default. Every tail since is a strict suffix on the same discipline — v10 the staged curves, v11 the loop crossfade.
 - `params_payload` — the PARAMS-PAYLOAD half of that codec, split from the envelope half on the axis the format already has: the payload carries its own version and grows independently, so the two version ladders are two responsibilities. An INTERNAL seam — the public entry points stay `serialize`/`deserializeComponentState`. The prose ladder and every version constant stay in `component_state_io.h`, their one home.
 - `bank_sync` — generation change-detection + assignment-request consume: owns the yes/no decision logic so the rules are provable without a host. The processor shell owns cadence and side effects.
 - `bridge_marshal` — pure marshalling helper for the REAPER VST-host bridge read: interprets the `GetProjExtState` int return against its filled buffer.
@@ -276,7 +278,7 @@ anything for a trigger shape.
 - `sample_bands` — **THE band-stack allocator**, and the only module that owns the Sample face's vertical inventory — including `kEditorMinWidth`/`kEditorMinHeight`, the editor's client-area floor, which IS its default size (the shell's `checkSizeConstraint` and opening `ViewRect` both read it; the face grows, never shrinks below what the stack is laid out for). Three bands top-to-bottom (CHROME toolbar+control row / WAVEFORM elastic, floored at two stacked lanes / DECKS bottom-anchored at the knob deck's own wrapped height), plus the waveform band's lane split (`waveformLanes` takes a resolved `LaneSplit`, not a raw bool — only `waveformSurface` folds the source-channel-count decision in). A shared READ-ONLY surface for every band owner — a band's interior module lays out inside the rect it is handed and never re-allocates the stack.
 - `sample_chrome` — the CHROME band's interior: the toolbar row (title + the whole right-anchored control run — preview, velocity knob cell, curve button, channel toggle, Browse) over the strip row, which the piano strip owns outright. The title takes what the run leaves; the strip takes its whole row, inset only by the shared band pad so it lines up with the waveform band beneath.
 - `keyboard_strip` — piano-keyboard strip: true white/black key geometry (whites tiled at one width, blacks overlaid at one width and height, straddling their boundary), hit-test resolving black-over-white by zone, root-marker rect, the absolute-position drag resolver, and MIDI note naming under the C4 convention. **Same-class keys are one integer width by construction; the residue of an indivisible band width (`w % 75`, up to 74 px) lands in symmetric end margins, never in a key** — uniform widths and gap-free edge-to-edge tiling cannot both hold, and uniformity wins.
-- `waveform_view` — the WAVEFORM band's interior: `waveformSurface` resolves the drawn lane(s) (two stacked lanes, L over R, only when the mode is stereo AND the source has a second channel — a mono source under stereo mode is dual-mono and draws one lane) plus **the** overlay area, and `laneEnvelope` splits one multi-channel envelope pass per lane. Also maps frame span linearly across a rect; generic named draggable markers with drag-delta resolver, clamp, and zero-crossing snap.
+- `waveform_view` — the WAVEFORM band's interior: `waveformSurface` resolves the drawn lane(s) (two stacked lanes, L over R, only when the mode is stereo AND the source has a second channel — a mono source under stereo mode is dual-mono and draws one lane) plus **the** overlay area, and `laneEnvelope` splits one multi-channel envelope pass per lane. Also maps frame span linearly across a rect; generic named draggable markers with drag-delta resolver, clamp, and zero-crossing snap, plus `markerHandleRect` — a top-strip grab tab distinct from a marker's full-height column, so two markers that share a frame stay independently grabbable (the column goes to the first in draw order; the tab, asked first, resolves the other).
   - **Overlay contract (consumed by later waveform work).** `WaveformSurface::overlay` — equivalently the standalone `waveformOverlayArea(band)` — is the FULL band in both modes. Everything riding the waveform (the amp-envelope trace and its node handles, the start/loop markers, the loop region) draws ONCE into it, spanning both stacked lanes; hit-testing resolves against the same area so a grab in the lower lane reaches them. Anything drawn or hit-tested per lane is a duplicate and a defect — structurally enforced: `overlay` is the distinct `OverlayArea` type (`editor_geometry`), not `Rect`, so every overlay-consuming API (`frameToX`/`markerAtPoint`/`resolveDragFrame`, `envelope_edit`'s `nodeAtPoint`/`resolveNodeDrag`, `envelope_overlay`'s `buildEnvelopePolyline`) rejects a lane rect at compile time rather than silently accepting one.
 - `capture_browser` — capture browser: card-grid layout + bank-filter tab strip geometry and hit-test; knows only counts and rects, draws nothing.
 - `browser_scroll` — scroll + type-to-filter layered over `capture_browser`: vertical scroll offset, scrollbar thumb, thumb-drag mapping, and name-substring search.