PITCH/RATE deck: Rate and Pitch knobs compounded into one read increment, on a three-state commit predicate and payload v16

This commit is contained in:
2026-08-02 05:34:33 -04:00
parent ef59265e7a
commit 248f2f3842
32 changed files with 1098 additions and 163 deletions
@@ -16,6 +16,8 @@ LiveValues foldLive(const PlayParams& params) {
v.adsr = params.adsr;
v.ampAhd = params.trigAhd;
v.pitchEnv = params.pitchEnv;
v.playRate = params.playRate;
v.pitchOffsetSemitones = params.pitchOffsetSemitones;
return v;
}
+8
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@@ -44,6 +44,14 @@ struct LiveValues {
AdsrParams adsr{};
AhdParams ampAhd{};
PitchEnvParams pitchEnv{};
// The block's THIRD commit class, and the reason this comment is here rather than at the
// predicate: playRate is published like any live control but read ONLY at note-on, by
// Voice::start via VoiceEngine::startVoice — never by applyLive on a sounding voice. A live
// rate would mean re-folding an already-resolved sustain loop and re-mapping a contour
// mid-note, both of which are note-on folds. pitchOffsetSemitones has no such tie and is
// ordinarily live.
double playRate = 1.0;
double pitchOffsetSemitones = 0.0;
};
// The seqlock copies the block as raw bytes, which is only defensible for a plain value type.
+1 -1
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@@ -107,7 +107,7 @@ PeriodEstimate detectPeriod(const std::vector<AudioSample>& pcm, int sampleRate)
// It takes NO play mode, deliberately, even though loop_span's resolveLoop does and refuses the
// loop outright under Trigger. A loop edit is structurally reload-bound — it moves the PCM span
// this cache was derived from — whereas play mode's exclusion from live delivery is a listed,
// reversible decision (deck_groups' isLiveDeckParam). Keying a load-time cache on it would work
// reversible decision (deck_groups' deckParamCommit). Keying a load-time cache on it would work
// today and silently serve a stale period the day that decision is revisited.
//
// The read path's loop-validity authority is loop_span's resolveLoop; the bounds check here is
+9
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@@ -158,6 +158,15 @@ struct PlayParams {
TriggerParams trigger; // Trigger play span
AhdParams trigAhd; // Trigger amp
PitchEngine pitchEngine = PitchEngine::Varispeed;
// Playback RATE, as source frames consumed per output frame. Under Varispeed it is one more
// factor of the read increment, so it moves pitch and duration together; under Preserve it
// drives duration alone and the shifter holds the pitch. Latched at note-on either way (the
// loop fold and the contour scale it composes with are both note-on folds), and clamped by
// the stretcher's own clampStretchRate — never here. 1.0 is the bare engine, bit for bit.
double playRate = 1.0;
// A baseline pitch offset in semitones, folded into the note's ratio beside key-tracking and
// the velocity->pitch transpose. Live on a sounding voice under both engines.
double pitchOffsetSemitones = 0.0;
PitchEnvParams pitchEnv;
// Velocity -> pitch offset, scaled by kVelocityPitchRangeSemitones. Bipolar and flat at 0
// by default, so it transposes nothing until a curve is drawn. Folded into the voice's
+41 -25
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@@ -53,16 +53,26 @@ void Voice::start(int note, int velocity, const SampleData& sample, bool declick
sample_ = &sample;
const PlayParams& p = sample.play;
// Velocity->pitch is fixed for the note's lifetime, so it folds into baseRatio_ here rather
// than costing a per-frame multiply. Feeds both engines through baseRatio_ (Varispeed
// read-rate bias and Preserve shift amount both derive from it below).
// Velocity->pitch is fixed for the note's lifetime, so it folds into baseRatio_ rather than
// costing a per-frame multiply. Feeds both engines through baseRatio_ (Varispeed read-rate
// bias and Preserve shift amount both derive from it below).
velPitchRatio_ = velocityPitchRatio(p.pitchVelocityCurve, velocity);
baseRatio_ = keyTrackedRatio(note, sample.rootNote, sample.keyTrack) * velPitchRatio_;
pitchOffsetRatio_ = semitoneRatio(p.pitchOffsetSemitones);
playMode_ = p.playMode;
pitchEngine_ = p.pitchEngine;
// Clamped once here so the read head's increment and the feed cursor's debt accumulate the
// SAME value — they must stay exactly one window apart for the note's whole life.
// THE clamp for both engines — the taper's ends are these bounds, so a knob can never ask for
// a rate this moves. Clamped once here so the read head's increment and the feed cursor's
// debt accumulate the SAME value: they must stay exactly one window apart for the note's
// whole life.
stretchRate_ = instrument::engine::clampStretchRate(stretchRate);
// Keyed on the read path this note will ACTUALLY take, which is not the same question as
// the stored engine: advanceFrame runs the Preserve branch only while the shifters are
// configured, and a Preserve voice whose shifters were never sized falls back to the
// varispeed read. Rate has to reach the increment there too, or that fallback would ignore
// the control outright — the predicate is spelled the same way advanceFrame spells it.
const bool preserveRead = (pitchEngine_ == PitchEngine::Preserve) && shiftL_.configured();
rateRatio_ = preserveRead ? 1.0 : stretchRate_;
recomputeBaseRatio();
// Clamp into [0, frames): a start at or past the end degrades to 0 (play from the top)
// rather than starting a voice already off the end.
@@ -119,22 +129,19 @@ void Voice::start(int note, int velocity, const SampleData& sample, bool declick
if (playLen > postStart) playLen = postStart;
playEnd_ = start + playLen;
trigSpan = playLen;
ampAhd_.configure(playLen, p.trigAhd);
ampAhd_.configure(playLen, rateFittedAhd(p.trigAhd));
}
// The pitch AHD's Hold fraction is taken against the whole playable span, so its three
// stages lay 1:1 over the waveform from the start point. postStart is a SOURCE-frame count
// and this envelope counts OUTPUT frames (envelopes.h), so Varispeed — which consumes
// baseRatio_ source frames per output frame — needs the span converted, or a transposed
// note's envelope outruns (or outlives) the note it shapes. Preserve reads at the source
// rate, so its two domains already coincide.
// Divides by baseRatio_ alone, though the actual Varispeed read rate is baseRatio_ x
// envFactor — a deep pitch envelope makes this a first-order approximation, not exact.
// Strictly better than the un-converted source-frame span it replaced.
const double pitchSpan =
(pitchEngine_ == PitchEngine::Preserve || !(baseRatio_ > 0.0))
? static_cast<double>(postStart)
: static_cast<double>(postStart) / baseRatio_;
// and this envelope counts OUTPUT frames (envelopes.h), so the span has to be divided by the
// rate the read head consumes source at — baseRatio_ under Varispeed, the stretch rate under
// Preserve — or a transposed (or re-rated) note's envelope outruns the note it shapes.
// Divides by baseRatio_ alone under Varispeed, though the actual read rate is baseRatio_ x
// envFactor — a deep pitch envelope makes that a first-order approximation, not exact.
const double readRate = preserveRead ? stretchRate_ : baseRatio_;
const double pitchSpan = (readRate > 0.0) ? static_cast<double>(postStart) / readRate
: static_cast<double>(postStart);
pitchEnv_.configure(static_cast<std::int64_t>(pitchSpan + 0.5), p.pitchEnv);
pitchEnv_.noteOn();
@@ -169,7 +176,7 @@ void Voice::start(int note, int velocity, const SampleData& sample, bool declick
filterEnv_.configure(p.filter.env);
filterEnv_.noteOn();
} else {
filterAhd_.configure(trigSpan, p.filter.trigEnv);
filterAhd_.configure(trigSpan, rateFittedAhd(p.filter.trigEnv));
}
filter_.reset();
updateFilterCutoffBase(note);
@@ -263,16 +270,25 @@ void Voice::applyLive(const instrument::engine::LiveValues& live, bool snap) {
// A fresh note and a sounding one take DIFFERENT envelope entry points, never one with a
// flag: a voice that has rendered nothing has no phase to hold and nothing to be
// continuous with, and the mid-stage rule misreads its stage-0 position (envelopes.h).
//
// live.playRate is deliberately NOT read on either path: Rate is the note-on-latched class,
// delivered as start()'s argument by VoiceEngine::startVoice (live_params.h owns why). The
// latched stretchRate_ is what rateFittedAhd converts a live AHD against, so a stage-time
// move mid-note lands in this note's own rate domain rather than resetting it.
const bool gate = (playMode_ == PlayMode::Gate);
if (snap) {
if (gate) env_.snapLive(live.adsr);
else ampAhd_.snapLive(live.ampAhd);
else ampAhd_.snapLive(rateFittedAhd(live.ampAhd));
pitchEnv_.snapLive(live.pitchEnv);
} else {
if (gate) env_.applyLive(live.adsr);
else ampAhd_.applyLive(sourceOffset(), live.ampAhd);
else ampAhd_.applyLive(sourceOffset(), rateFittedAhd(live.ampAhd));
pitchEnv_.applyLive(live.pitchEnv);
}
// The baseline Pitch offset IS live, under both engines: Varispeed picks the new baseRatio_
// up as one more factor of next frame's read increment, Preserve as the shifter's transpose.
pitchOffsetRatio_ = semitoneRatio(live.pitchOffsetSemitones);
recomputeBaseRatio();
// The pitch DEPTH knob stays live under a spline (core/instrument/CLAUDE.md), but
// pitchSplineDepth_ is a plain member latched at note-on — unlike filter's modAmount_,
// which already glides through rModAmount_'s live ramp regardless of spline state (below),
@@ -283,10 +299,10 @@ void Voice::applyLive(const instrument::engine::LiveValues& live, bool snap) {
if (snap) {
if (gate) filterEnv_.snapLive(live.filterEnv);
else filterAhd_.snapLive(live.filterAhd);
else filterAhd_.snapLive(rateFittedAhd(live.filterAhd));
} else {
if (gate) filterEnv_.applyLive(live.filterEnv);
else filterAhd_.applyLive(sourceOffset(), live.filterAhd);
else filterAhd_.applyLive(sourceOffset(), rateFittedAhd(live.filterAhd));
}
filterCutoffNorm_ = static_cast<double>(live.filterSettings.cutoffNorm);
filterKeyTrack_ = live.filterKeyTrack;
@@ -328,8 +344,8 @@ void Voice::retune(int note) {
// baseRatio_ division in the note-on setup above), so a slide leaves that envelope on the
// first note's domain — consistent with "touch nothing else," but the drift lives here.
// The velocity->pitch factor rides through the slide unchanged, matching velocityGain_ —
// one gesture, one strike.
baseRatio_ = keyTrackedRatio(note, sample_->rootNote, sample_->keyTrack) * velPitchRatio_;
// one gesture, one strike. Rate and the Pitch offset ride through too: only the note moved.
recomputeBaseRatio();
// Filter key-tracking follows the pitch: it is a function of the note, so a slide moves it
// too. The velocity offset deliberately stays the first note's, matching velocityGain_.
if (filterOn_) updateFilterCutoffBase(note);
+55 -23
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@@ -50,12 +50,17 @@ inline double keyTrackedRatio(int note, int rootNote, double keyTrack) {
return std::pow(2.0, semis / 12.0);
}
// 2^(curve(velocity) * kVelocityPitchRangeSemitones / 12): the velocity->pitch transpose, which
// the voice folds into baseRatio_ once at note-on. A curve flat at 0 — the default — yields
// EXACTLY 1.0 at every velocity and skips the pow, so an undrawn curve transposes nothing.
// 2^(semitones/12). Exactly 1.0 at zero — and it SKIPS the pow there, so an unset offset
// transposes nothing and costs nothing.
inline double semitoneRatio(double semitones) {
return (semitones == 0.0) ? 1.0 : std::pow(2.0, semitones / 12.0);
}
// The velocity->pitch transpose, which the voice folds into baseRatio_ once at note-on. A curve
// flat at 0 — the default — yields EXACTLY 1.0 at every velocity.
inline double velocityPitchRatio(const VelocityCurve& curve, int velocity) {
const double semis = curve.eval(static_cast<double>(velocity)) * kVelocityPitchRangeSemitones;
return (semis == 0.0) ? 1.0 : std::pow(2.0, semis / 12.0);
return semitoneRatio(curve.eval(static_cast<double>(velocity)) *
kVelocityPitchRangeSemitones);
}
// One octave expressed in the cutoff control's normalized domain, read out of the filter
@@ -110,11 +115,15 @@ public:
// the difference-seeded declick compensation on the first frame after the restart (see
// kDeclickDecay above). A fresh start never declicks.
//
// `stretchRate` is the PRESERVE playback rate — source frames consumed per output frame,
// clamped to [kStretchRateMin, kStretchRateMax]. It is a note-on latch by construction (an
// argument, not a member set separately) because the loop fold and the contour scale it
// composes with are both note-on folds. Varispeed ignores it: there, rate is a factor of the
// read increment, not a second rate. 1.0 is the shipped Preserve read, bit for bit.
// `stretchRate` is the playback rate — source frames consumed per output frame, clamped to
// [kStretchRateMin, kStretchRateMax]. It is a note-on latch by construction (an argument, not
// a member set separately) because the loop fold and the contour scale it composes with are
// both note-on folds. Under Preserve it is the stretcher's feed rate and duration alone moves;
// under Varispeed it folds into the read increment beside key-tracking, so pitch moves with
// it. 1.0 is the bare engine, bit for bit, in both. Defaulted so a caller with no live block
// to consult gets exactly that; VoiceEngine::startVoice is what resolves the real value —
// sample.play.playRate is NOT read here, because the published block outranks the snapshot's
// possibly-stale copy of it.
void start(int note, int velocity, const SampleData& sample, bool declickTakeover = false,
double stretchRate = 1.0);
@@ -184,6 +193,34 @@ public:
}
private:
// THE fold of every pitch factor that is constant for the note into one number, so
// advanceFrame's read increment stays the single multiply `baseRatio_ * envFactor` it has
// always been: key-tracked repitch, the velocity->pitch transpose, the baseline Pitch offset,
// and the Rate ratio — which start() zeroes out of this product when the note is running the
// Preserve read, since Rate feeds stretch_ (duration) there and must never reach the
// shifter's transpose. Cold: note-on, legato retune, and a live block, never per frame.
void recomputeBaseRatio() {
if (sample_ == nullptr) return;
baseRatio_ = keyTrackedRatio(note_, sample_->rootNote, sample_->keyTrack) *
velPitchRatio_ * pitchOffsetRatio_ * rateRatio_;
}
// A staged AHD's wall-clock stage frames converted into the SOURCE-offset domain the
// sustain-less envelopes are evaluated in (sourceOffset()). Rate stretches the source span
// those envelopes are fitted over, but a 30 ms attack is 30 ms at any rate — multiplying by
// the read rate is exactly that conversion. The Varispeed PITCH coupling is deliberately NOT
// compensated here: it predates Rate and is the shipped behaviour. Rate 1.0 returns the
// argument untouched, which is what keeps the unity render bit-identical.
AhdParams rateFittedAhd(const AhdParams& a) const {
if (stretchRate_ == 1.0) return a;
AhdParams out = a;
out.attackFrames =
static_cast<std::int64_t>(static_cast<double>(a.attackFrames) * stretchRate_ + 0.5);
out.decayFrames =
static_cast<std::int64_t>(static_cast<double>(a.decayFrames) * stretchRate_ + 0.5);
return out;
}
// The read head as a fraction of the whole sample — the domain every spline EG is a pure
// function of. Zero-length sample leaves splineScale_ at 0, which parks every contour on
// its opening value.
@@ -192,9 +229,9 @@ private:
// This frame's amplitude in [0,1] from the active envelope. Spline: the drawn contour read
// at the normalized position (one cached-segment compare per frame). Gate: AHDSR ticks once
// per output frame (envelope time is wall-clock, independent of read rate). Trigger: the AHD
// is evaluated at the source offset (readPos - startFrame) — see the `ratio_ = stretchRate_`
// note below for what that means for Preserve's stage-time/rate coupling. Sets
// amplitudeDone_ on finish so advanceFrame frees the voice.
// is evaluated at the source offset (readPos - startFrame), which is why its stage frames are
// fitted to the read rate at configure time (rateFittedAhd). Sets amplitudeDone_ on finish so
// advanceFrame frees the voice.
double tickAmplitude() {
double amp;
// playMode_ is Trigger whenever a spline is genuinely reachable (resolvePlay forces it —
@@ -532,15 +569,8 @@ private:
// Everything downstream of it (the loop wrap, the Trigger span, the spline phase)
// therefore stays a source-frame fact and scales by construction.
//
// Consequence (§2.4 of instrument-control-surface.md is explicit that staged
// envelopes' stage times are wall-clock and do NOT scale with rate): Trigger's amp
// AHD and filter AHD are both evaluated at sourceOffset() = readPos_ - startFrame_
// (tickAmplitude/tickFilterCutoff above), which now advances at stretchRate_ instead
// of always 1.0 — so those two envelopes will scale with a future non-unity Rate.
// This is NEW here: Preserve's ratio_ was pinned at 1.0 before this track, so those
// stage times were exact wall-clock. It is latent (nothing publishes a non-unity
// rate yet) and owned by the track that adds the Rate control, not this one — Gate's
// AHDSR (env_.tick(), per-output-frame) and every spline contour are unaffected.
// The two sustain-less envelopes are evaluated at sourceOffset(), which advances at
// this rate — rateFittedAhd is what keeps their stage times wall-clock anyway.
ratio_ = stretchRate_;
} else {
// VARISPEED: pitch and duration coupled. The read rate carries the repitch; the
@@ -645,8 +675,10 @@ private:
bool releasing_ = false;
int note_ = 0;
double velocityGain_ = 1.0;
double baseRatio_ = 1.0; // key-tracked repitch ratio, with velocity->pitch folded in
double baseRatio_ = 1.0; // recomputeBaseRatio's product: every constant pitch factor
double velPitchRatio_ = 1.0; // the velocity->pitch factor alone; retune re-applies it
double pitchOffsetRatio_ = 1.0; // the Pitch knob's factor — LIVE, re-applied by applyLive
double rateRatio_ = 1.0; // Rate's factor of the read increment; start() owns when it is 1
double ratio_ = 1.0; // fractional source frames advanced per output frame (this frame)
double readPos_ = 0.0; // fractional frame index into the sample
const SampleData* sample_ = nullptr;
+5 -1
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@@ -54,7 +54,11 @@ void VoiceEngine::applyLiveToActive() {
void VoiceEngine::startVoice(Voice& voice, int note, int velocity) {
refreshLive();
voice.start(note, velocity, sample_, /*declickTakeover=*/takeoverDeclick_);
// THE read of the note-on-latched commit class, and the only one: a published block outranks
// the snapshot's own copy (a live edit deliberately leaves that stale), and applyLive below
// never touches the rate — so a Rate move reaches the next note and no sounding one.
const double rate = haveLive_ ? live_.playRate : sample_.play.playRate;
voice.start(note, velocity, sample_, /*declickTakeover=*/takeoverDeclick_, rate);
if (haveLive_) voice.applyLive(live_, /*snap=*/true);
voice.setStartOrder(nextStartOrder_++);
}