instrument: the filter's velocity depth knob returns and multiplies the bipolar curve; the pre-v12 lift is a pure domain re-tag

src/core/instrument/CLAUDE.md

@@ -262,13 +262,13 @@ anything for a trigger shape.
   - `voice_engine.h` / `voice_engine.cpp` — `VoiceEngine`: note routing, bounded-stealing allocation, user-parameterized voice count (1–32, default 16), `VoiceMode` Poly/Mono (last-note held-note stack, `MonoTrigger` Retrigger/Legato), two-tier panic (CC 123 = all-notes-off release, CC 120 = immediate hard-stop including Trigger one-shots), and the block render loops. Preview injects a synthetic note-on at the loaded capture's root note into the main `VoiceEngine` — no dedicated `PreviewCard`; preview obeys polyphony/mono/voice-stealing/envelopes.
 - `engine/loop/` — the sustain loop's ONE validity/clamp fold (`resolveLoop`) plus its pre-seam crossfade geometry and the editor's default handle span; see `engine/loop/CLAUDE.md`. The voice folds it once at note-on; the crossfade weight is header-inline because it rides the per-sample read.
 - `pitch_shift` — hand-rolled **correlation-aligned SOLA** (splice-overlap-add) pitch shifter for the Preserve playback mode: one active read tap chases the write head at the shift ratio; each splice jump is refined by a cross-correlation search so the new read point is waveform-aligned, then old and new taps are crossfaded (raised-cosine, amplitude-complementary). Replaces the prior dual-tap OLA whose fixed half-window tap offset caused anti-phase cancellation on many source frequencies. **GA2:** ring buffer **primed with the actual upcoming source** at note-on (was zero-filled) → gap-free frame-0 onset, ~25 ms Preserve onset latency eliminated (Preserve now speaks on frame 0, matching Varispeed), and real-content-bounded tail (last-window tail-truncation gone). No third-party dependencies; RT-discipline: no allocation in `process()`.
-- `velocity_curve` — the pure velocity transfer curve shared by all THREE destinations: `VelocityCurve` evaluated by a Fritsch–Carlson monotone cubic Hermite spline (no overshoot). `eval(velocity)` called once per note-on. It carries its own y `CurveDomain`: UNIPOLAR [0,1] is the amp's GAIN, defaulting to `flat()` (y=1, every velocity→unity — a deliberate non-back-compat replacement of the old fixed `velocity/127` path, Daniel-approved); BIPOLAR [−1,1] is the signed modulation depth for pitch and filter, defaulting to `zero()` so velocity modulates neither until a curve is drawn. A bipolar curve is BOTH the shape and the amount — there is no depth control behind it, which is why the filter's `velAmount` retired into it. eval's homogeneity in y (see `velocity_curve.h`) is what the codec's pre-v12 lift rests on.
+- `velocity_curve` — the pure velocity transfer curve shared by all THREE destinations: `VelocityCurve` evaluated by a Fritsch–Carlson monotone cubic Hermite spline (no overshoot). `eval(velocity)` called once per note-on. It carries its own y `CurveDomain`: UNIPOLAR [0,1] is the amp's GAIN, defaulting to `flat()` (y=1, every velocity→unity — a deliberate non-back-compat replacement of the old fixed `velocity/127` path, Daniel-approved); BIPOLAR [−1,1] is the signed modulation shape for pitch and filter, defaulting to `zero()` so velocity modulates neither until a curve is drawn. A bipolar curve does not imply the absence of a depth beside it: the filter keeps its `velAmount` knob and the two compose multiplicatively (`velAmount × curve.eval(v)`, `play_params.h`), while the pitch curve's throw is the fixed `kVelocityPitchRangeSemitones`.
 - `master_gain` — pure dB↔linear taper math (FB1): normalized [0,1] ↔ dB ↔ linear for the post-mixer master gain control (−∞…+24 dB, norm 0 = true silence, unity ≈ 0.714). Shared by the editor knob and the processor multiply so the needle, persisted value, and audio multiply cannot drift.
 
 ### `map/`
 
 - `sample_map` — the bank blob → selected capture resolve, the channel policy (downmix / dual-mono / L-R split), `InstrumentParams` (the ONE parameter set: root/loop/start overrides, keyTrack, velocity curve, `PlaySeconds`), the single override-beats-intrinsic fold (`resolveCapture`, shared by the bank and refs paths so they cannot drift), and the `SampleData` build. **Wall-clock times stored as rate-free SECONDS, resolved against the live project rate — NO hardcoded sample rates in `src/`** (Daniel's standing ruling, load-bearing). Deliberately does NOT link the voice engine: the build's product is plain `SampleData`.
-- `component_state_io` (`core/instrument/map`) — the `ComponentState` envelope + params-payload binary codec (envelope v1…v11, params payload v1…v12), split out of `sample_map` (Q-W2v, T4-13 ≡ T2-07) so BOTH artifacts can link the codec without the extension pulling in the whole voice engine to serialize one preset blob — the extension's `instrument_drop` and the instrument's processor read/write the identical bytes, so the cross-artifact contract cannot drift. Payload v1…v7 are the RETIRED per-zone lists: still read, lifting by adopting zone one's capture + parameters (that first zone is what the old first-match resolve actually played, so it is also what supersedes the envelope's stored selection id). Payload v9 appends the per-voice filter tail; a v8 blob is a strict prefix of it and lifts to the off/neutral filter default. Every tail since is a strict suffix on the same discipline — v10 the staged curves, v11 the loop crossfade, v12 the velocity→pitch curve. v12 also RE-INTERPRETS two frozen slots inside the v9 filter tail (its velocity curve is now bipolar and self-scaling; the retired velAmount slot carries a constant 1.0) — same bytes, version-keyed meaning, with the pre-v12 fold documented in `component_state_io.h`.
+- `component_state_io` (`core/instrument/map`) — the `ComponentState` envelope + params-payload binary codec (envelope v1…v11, params payload v1…v12), split out of `sample_map` (Q-W2v, T4-13 ≡ T2-07) so BOTH artifacts can link the codec without the extension pulling in the whole voice engine to serialize one preset blob — the extension's `instrument_drop` and the instrument's processor read/write the identical bytes, so the cross-artifact contract cannot drift. Payload v1…v7 are the RETIRED per-zone lists: still read, lifting by adopting zone one's capture + parameters (that first zone is what the old first-match resolve actually played, so it is also what supersedes the envelope's stored selection id). Payload v9 appends the per-voice filter tail; a v8 blob is a strict prefix of it and lifts to the off/neutral filter default. Every tail since is a strict suffix on the same discipline — v10 the staged curves, v11 the loop crossfade, v12 the velocity→pitch curve. v12 also RE-TAGS the y DOMAIN of one frozen slot inside the v9 filter tail — its velocity curve reads bipolar from v12 on, unipolar before — which needs no version branch, because a pre-v12 curve's y values are already valid bipolar ones; every other filter slot, `velAmount` included, keeps its meaning.
 - `params_payload` — the PARAMS-PAYLOAD half of that codec, split from the envelope half on the axis the format already has: the payload carries its own version and grows independently, so the two version ladders are two responsibilities. An INTERNAL seam — the public entry points stay `serialize`/`deserializeComponentState`. The prose ladder and every version constant stay in `component_state_io.h`, their one home.
 - `bank_sync` — generation change-detection + assignment-request consume: owns the yes/no decision logic so the rules are provable without a host. The processor shell owns cadence and side effects.
 - `bridge_marshal` — pure marshalling helper for the REAPER VST-host bridge read: interprets the `GetProjExtState` int return against its filled buffer.