feat: legible ReaSampler 9000 editor — bigger knobs, ms time constants, per-ring double-click reset, and an antialiased draw pass

src/core/instrument/CLAUDE.md

@@ -309,7 +309,18 @@ anything for a trigger shape.
 - `browser_scroll` — scroll + type-to-filter layered over `capture_browser`: vertical scroll offset, scrollbar thumb, thumb-drag mapping, and name-substring search.
 - `param_slider` — parameter control-panel: vertical stack of TOGGLE (two-segment selector) and SLIDER (horizontal track) rows; maps normalized value to/from handle pixel.
 - `embed_strip` — compact single-row control layout for embed mode in the track FX chain.
-- `knob_deck` — pure knob-deck layout + hit-test (FB1): group-box / caption-row / compact-toggle / knob-cell geometry, deterministic whole-group wrap, `DeckLayout` / `DeckHit`. Mirror of `action_bar`/`param_slider`; no LICE or REAPER types. A group carries TWO caption-toggle slots, laid right-to-left: the second exists because a group whose knob row is wider than its caption row has caption slack a toggle can occupy for free, and the deck has six pixels of headroom on its first row at the editor's floor width — a `rowToggle` would widen the GROUP and wrap the deck to a fourth row, past what the minimum window holds. **A group's cell run is a RESERVED WIDTH, not a fixed cell size**: a `-1` id reserves one cell's width without a cell, and the cells present divide the whole run between them at one uniform integer width (residue in symmetric end margins). That is what lets a mode flip drop controls from a face — Trigger's AMP and FILTER ENV lose their Sustain/Release stages — without either reflowing the deck or leaving dead slots in the box; a face with fewer controls simply gets roomier cells. Do not reintroduce fixed-width cells with blank slots.
+- `knob_deck` — pure knob-deck layout + hit-test (FB1): group-box / caption-row / compact-toggle / knob-cell geometry, deterministic whole-group wrap, `DeckLayout` / `DeckHit`. Mirror of `action_bar`/`param_slider`; no LICE or REAPER types. Carries a SECOND hit-test, `hitTestKnobFace`, resolved against the drawn CIRCLES rather than the cell: a double-click reset is aimed at a dial, so the label band and the cell margins must miss where a drag grab deliberately does not, and only a radial resolve can tell the inner curve dial from the outer ring it sits inside. **The cell/knob/label sizes and `sample_bands`' editor floor move as a pair** — wider cells need a wider floor width or the deck wraps to a fourth row. A group carries TWO caption-toggle slots, laid right-to-left: the second exists because a group whose knob row is wider than its caption row has caption slack a toggle can occupy for free, and the deck has six pixels of headroom on its first row at the editor's floor width — a `rowToggle` would widen the GROUP and wrap the deck to a fourth row, past what the minimum window holds. **A group's cell run is a RESERVED WIDTH, not a fixed cell size**: a `-1` id reserves one cell's width without a cell, and the cells present divide the whole run between them at one uniform integer width (residue in symmetric end margins). That is what lets a mode flip drop controls from a face — Trigger's AMP and FILTER ENV lose their Sustain/Release stages — without either reflowing the deck or leaving dead slots in the box; a face with fewer controls simply gets roomier cells. Do not reintroduce fixed-width cells with blank slots.
+- `deck_values` — the deck's control-id ↔ parameter-set BINDING and its display units, split
+  from the editor shell on the same axis `deck_groups` was split from `knob_deck`: `deck_groups`
+  says which controls exist, this says what each one's value MEANS. Holds `deckParamNorm` /
+  `setDeckParam` (the normalized ↔ stored-seconds/fraction/position maps and their clamps),
+  `resetDeckParam` (the double-click reset — the defaults are READ off a default-constructed
+  `PlaySeconds`, so there is no second table of defaults to drift), and `formatEnvTimeMs`, the
+  ONE time-constant formatter: every displayed time constant reads in **ms**, never seconds, so
+  two stage times are comparable at a glance. A display-unit decision only — nothing about the
+  stored representation changes. Links the map layer because `PlaySeconds` is what a deck edits.
+  The shell keeps only the controls the parameter set does not carry (key-track, voice count,
+  master gain, preview velocity) and the labels for them.
 - `deck_groups` — also home to `isLiveDeckParam` and `liveCommitFor`, the editor's whole commit-tier routing decision (see "Live parameter delivery" above), and to `OverlayEnv` + `nextOverlaySelection`/`overlayEnvEnabled`/`overlayEnvInert`, the whole overlay-selection state machine (exclusivity, the none resting state, and which selections a disabled or DRAWN group makes inert); WHICH groups the Sample face's deck carries, split from `knob_deck`'s HOW they lay out: the `DeckParam` control-id space (the editor's `ParamControl` is an alias of it), the `DeckGroupId` list, `sampleDeckGroups` in signal-flow order (**pitch → filter → amp**, then velocity/voice/master), and the deck's bipolar-knob law. Reads `PlayMode` for the AMP group's Gate/Trigger face, which is why this and not `knob_deck` is the module that touches the engine's value layer. Also home to `CurveTarget` + `curveTargetFor` — the VELOCITY group's three cells are popup openers, not dials, and that predicate is the ONE place they are named, so paint, hit-test routing and the popup's title all agree. MASTER is reserved for post-voice-mixer concerns, which is why the curves sit in their own group immediately left of VOICE rather than there.
 - `spline_edit` — THE point-editing grammar, and the one place it is written down: left-click grabs a node and adds one in empty space, right-click deletes, control-click toggles hard/smooth. Both spline consumers — the velocity-curve popup and the spline EG overlay — route their mouse-down through `resolveSplineEdit`, so the two cannot drift into two grammars. The endpoint and point-count rules are NOT restated here: `deletePoint` and `addPoint` own them, and the caller applies the resolved action to the curve. Also home to `splineOverlayBox`, the contour's mapping box inside the waveform overlay — the FULL area, no inset, so the drawn contour stays 1:1 with the sample's time axis.
 - `curve_popup` — pure curve-popup geometry + dismissal test (FB1): centered sheet over the Sample face — width/height clamps, title row, Close button rect, curve-box rect, outside-sheet dismissal test. Mirror of `overflow_menu`; no LICE or REAPER types.