fix: close review findings on the velocity-curve deck and bipolar curves

Cancels the curve-node drag whenever the popup closes so Esc mid-drag can't alias the amp curve; generalizes CurveTarget routing to one switch; fixes stale/overstated comments; clamps a pre-v12 depth fold; adds deck-inertness and filter-fold test coverage.

src/core/instrument/CLAUDE.md

@@ -262,7 +262,7 @@ anything for a trigger shape.
   - `voice_engine.h` / `voice_engine.cpp` — `VoiceEngine`: note routing, bounded-stealing allocation, user-parameterized voice count (1–32, default 16), `VoiceMode` Poly/Mono (last-note held-note stack, `MonoTrigger` Retrigger/Legato), two-tier panic (CC 123 = all-notes-off release, CC 120 = immediate hard-stop including Trigger one-shots), and the block render loops. Preview injects a synthetic note-on at the loaded capture's root note into the main `VoiceEngine` — no dedicated `PreviewCard`; preview obeys polyphony/mono/voice-stealing/envelopes.
 - `engine/loop/` — the sustain loop's ONE validity/clamp fold (`resolveLoop`) plus its pre-seam crossfade geometry and the editor's default handle span; see `engine/loop/CLAUDE.md`. The voice folds it once at note-on; the crossfade weight is header-inline because it rides the per-sample read.
 - `pitch_shift` — hand-rolled **correlation-aligned SOLA** (splice-overlap-add) pitch shifter for the Preserve playback mode: one active read tap chases the write head at the shift ratio; each splice jump is refined by a cross-correlation search so the new read point is waveform-aligned, then old and new taps are crossfaded (raised-cosine, amplitude-complementary). Replaces the prior dual-tap OLA whose fixed half-window tap offset caused anti-phase cancellation on many source frequencies. **GA2:** ring buffer **primed with the actual upcoming source** at note-on (was zero-filled) → gap-free frame-0 onset, ~25 ms Preserve onset latency eliminated (Preserve now speaks on frame 0, matching Varispeed), and real-content-bounded tail (last-window tail-truncation gone). No third-party dependencies; RT-discipline: no allocation in `process()`.
-- `velocity_curve` — the pure velocity transfer curve shared by all THREE destinations: `VelocityCurve` evaluated by a Fritsch–Carlson monotone cubic Hermite spline (no overshoot). `eval(velocity)` called once per note-on. It carries its own y `CurveDomain`: UNIPOLAR [0,1] is the amp's GAIN, defaulting to `flat()` (y=1, every velocity→unity — a deliberate non-back-compat replacement of the old fixed `velocity/127` path, Daniel-approved); BIPOLAR [−1,1] is the signed modulation depth for pitch and filter, defaulting to `zero()` so velocity modulates neither until a curve is drawn. A bipolar curve is BOTH the shape and the amount — there is no depth control behind it, which is why the filter's `velAmount` retired into it. eval is HOMOGENEOUS in y (scaling every knot by k scales the curve by k exactly); the codec's pre-v12 lift rests on that.
+- `velocity_curve` — the pure velocity transfer curve shared by all THREE destinations: `VelocityCurve` evaluated by a Fritsch–Carlson monotone cubic Hermite spline (no overshoot). `eval(velocity)` called once per note-on. It carries its own y `CurveDomain`: UNIPOLAR [0,1] is the amp's GAIN, defaulting to `flat()` (y=1, every velocity→unity — a deliberate non-back-compat replacement of the old fixed `velocity/127` path, Daniel-approved); BIPOLAR [−1,1] is the signed modulation depth for pitch and filter, defaulting to `zero()` so velocity modulates neither until a curve is drawn. A bipolar curve is BOTH the shape and the amount — there is no depth control behind it, which is why the filter's `velAmount` retired into it. eval's homogeneity in y (see `velocity_curve.h`) is what the codec's pre-v12 lift rests on.
 - `master_gain` — pure dB↔linear taper math (FB1): normalized [0,1] ↔ dB ↔ linear for the post-mixer master gain control (−∞…+24 dB, norm 0 = true silence, unity ≈ 0.714). Shared by the editor knob and the processor multiply so the needle, persisted value, and audio multiply cannot drift.
 
 ### `map/`