instrument: spline EGs — hard points on the one shared spline, a drawn contour per envelope beside its staged state, payload v13

src/core/instrument/CLAUDE.md

@@ -222,7 +222,28 @@ range-clamped to the same per-param min/max the knobs enforce, so no drag can pr
 param a knob couldn't. Two pure modules split the forward (draw) and inverse (edit) maps —
 see `envelope_overlay` and `envelope_edit` in Modules below.
 
-**Which shape an envelope takes is decided by the play mode, not by what it modulates:**
+**Every envelope is EITHER staged or drawn, and both states persist.** Each of the three
+(amp, pitch, filter) carries a `SplineEnv` — a mode plus a contour over NORMALIZED sample time —
+beside its staged parameters. Switching modes converts and discards nothing: the inactive state
+stays saved but inert, and round-tripping restores the other mode's shape untouched. The
+consequences, each with one home:
+
+- **Gate is unavailable while any EG is drawn.** A contour is a pure time function over the full
+  sample length, which IS the Trigger/one-shot model. `splineActive` (`play_params.h`) is the
+  predicate; `resolvePlay` enforces it on the way to the engine and the editor's Gate segment
+  refuses and paints Disabled off the same predicate.
+- **A drawn envelope's staged segment knobs go inert** — drawn-but-dead, never removed, never
+  hidden — including their inner curve dials, which are reached through their outer cell.
+  `deckKnobInert` (`ui/deck_groups`) is the one place that list lives. The DEPTH knobs (pitch
+  peak, filter mod amount) stay live: they scale whichever shape is active.
+- **Normalized is what makes a contour length-independent.** There are no stored seconds to
+  rescale, so a different-length capture replays the same shape proportionally.
+- **The contours sit on `PlayParams`/`PlaySeconds` directly, not inside the three envelope
+  structs.** Those are copied whole into the live block, which must stay trivially copyable
+  (`live_params.h`) — and a contour is not a live control anyway: like the velocity curves it
+  travels by reload.
+
+**Which shape a STAGED envelope takes is decided by the play mode, not by what it modulates:**
 pitch is always AHD; amp and filter are AHDSR in Gate and AHD in Trigger. Both mode shapes
 are STORED per envelope, so flipping modes cannot lose either mode's dialled values (the
 migration case forces it: an old instance carries both its AHDSR values and its Trigger
@@ -262,13 +283,13 @@ anything for a trigger shape.
   - `voice_engine.h` / `voice_engine.cpp` — `VoiceEngine`: note routing, bounded-stealing allocation, user-parameterized voice count (1–32, default 16), `VoiceMode` Poly/Mono (last-note held-note stack, `MonoTrigger` Retrigger/Legato), two-tier panic (CC 123 = all-notes-off release, CC 120 = immediate hard-stop including Trigger one-shots), and the block render loops. Preview injects a synthetic note-on at the loaded capture's root note into the main `VoiceEngine` — no dedicated `PreviewCard`; preview obeys polyphony/mono/voice-stealing/envelopes.
 - `engine/loop/` — the sustain loop's ONE validity/clamp fold (`resolveLoop`) plus its pre-seam crossfade geometry and the editor's default handle span; see `engine/loop/CLAUDE.md`. The voice folds it once at note-on; the crossfade weight is header-inline because it rides the per-sample read.
 - `pitch_shift` — hand-rolled **correlation-aligned SOLA** (splice-overlap-add) pitch shifter for the Preserve playback mode: one active read tap chases the write head at the shift ratio; each splice jump is refined by a cross-correlation search so the new read point is waveform-aligned, then old and new taps are crossfaded (raised-cosine, amplitude-complementary). Replaces the prior dual-tap OLA whose fixed half-window tap offset caused anti-phase cancellation on many source frequencies. **GA2:** ring buffer **primed with the actual upcoming source** at note-on (was zero-filled) → gap-free frame-0 onset, ~25 ms Preserve onset latency eliminated (Preserve now speaks on frame 0, matching Varispeed), and real-content-bounded tail (last-window tail-truncation gone). No third-party dependencies; RT-discipline: no allocation in `process()`.
-- `velocity_curve` — the pure velocity transfer curve shared by all THREE destinations: `VelocityCurve` evaluated by a Fritsch–Carlson monotone cubic Hermite spline (no overshoot). `eval(velocity)` called once per note-on. It carries its own y `CurveDomain`: UNIPOLAR [0,1] is the amp's GAIN, defaulting to `flat()` (y=1, every velocity→unity — a deliberate non-back-compat replacement of the old fixed `velocity/127` path, Daniel-approved); BIPOLAR [−1,1] is the signed modulation shape for pitch and filter, defaulting to `zero()` so velocity modulates neither until a curve is drawn. A bipolar curve does not imply the absence of a depth beside it: the filter keeps its `velAmount` knob and the two compose multiplicatively (`velAmount × curve.eval(v)`, `play_params.h`), while the pitch curve's throw is the fixed `kVelocityPitchRangeSemitones`.
+- `velocity_curve` — THE monotone spline, shared by every consumer: the three velocity transfer curves and the three spline EGs. `VelocityCurve` is evaluated as ONE OR MORE Fritsch–Carlson monotone cubic Hermite splines joined at its HARD points — a hard knot is a sub-curve boundary for tangent purposes (exactly what the point array's own ends already are), so the two adjacent segments meet at their natural angle instead of a shared derivative and the no-overshoot guarantee holds PER SEGMENT rather than globally. Points are smooth by default; the ceiling is `kMaxCurvePoints` = 128, a MUSICAL bound (long rhythmic phrases, ~two points per articulation event) and not a performance one — **do not lower it**. `eval(velocity)` is the COLD reader, called once per note-on or once per drawn pixel column; `SplineCursor` is the RT one, an indexed segment search plus one Hermite evaluation with the segment and its tangents cached across samples. Both share the same `segmentTangents`/`hermiteAt` free functions, so there is one spline and not two. It carries its own y `CurveDomain`: UNIPOLAR [0,1] is the amp's GAIN, defaulting to `flat()` (y=1, every velocity→unity — a deliberate non-back-compat replacement of the old fixed `velocity/127` path, Daniel-approved); BIPOLAR [−1,1] is the signed modulation shape for pitch and filter, defaulting to `zero()` so velocity modulates neither until a curve is drawn. A bipolar curve does not imply the absence of a depth beside it: the filter keeps its `velAmount` knob and the two compose multiplicatively (`velAmount × curve.eval(v)`, `play_params.h`), while the pitch curve's throw is the fixed `kVelocityPitchRangeSemitones`.
 - `master_gain` — pure dB↔linear taper math (FB1): normalized [0,1] ↔ dB ↔ linear for the post-mixer master gain control (−∞…+24 dB, norm 0 = true silence, unity ≈ 0.714). Shared by the editor knob and the processor multiply so the needle, persisted value, and audio multiply cannot drift.
 
 ### `map/`
 
 - `sample_map` — the bank blob → selected capture resolve, the channel policy (downmix / dual-mono / L-R split), `InstrumentParams` (the ONE parameter set: root/loop/start overrides, keyTrack, velocity curve, `PlaySeconds`), the single override-beats-intrinsic fold (`resolveCapture`, shared by the bank and refs paths so they cannot drift), and the `SampleData` build. **Wall-clock times stored as rate-free SECONDS, resolved against the live project rate — NO hardcoded sample rates in `src/`** (Daniel's standing ruling, load-bearing). Deliberately does NOT link the voice engine: the build's product is plain `SampleData`.
-- `component_state_io` (`core/instrument/map`) — the `ComponentState` envelope + params-payload binary codec (envelope v1…v11, params payload v1…v12), split out of `sample_map` (Q-W2v, T4-13 ≡ T2-07) so BOTH artifacts can link the codec without the extension pulling in the whole voice engine to serialize one preset blob — the extension's `instrument_drop` and the instrument's processor read/write the identical bytes, so the cross-artifact contract cannot drift. Payload v1…v7 are the RETIRED per-zone lists: still read, lifting by adopting zone one's capture + parameters (that first zone is what the old first-match resolve actually played, so it is also what supersedes the envelope's stored selection id). Payload v9 appends the per-voice filter tail; a v8 blob is a strict prefix of it and lifts to the off/neutral filter default. Every tail since is a strict suffix on the same discipline — v10 the staged curves, v11 the loop crossfade, v12 the velocity→pitch curve. v12 also RE-TAGS the y DOMAIN of one frozen slot inside the v9 filter tail — its velocity curve reads bipolar from v12 on, unipolar before — which needs no version branch, because a pre-v12 curve's y values are already valid bipolar ones; every other filter slot, `velAmount` included, keeps its meaning.
+- `component_state_io` (`core/instrument/map`) — the `ComponentState` envelope + params-payload binary codec (envelope v1…v11, params payload v1…v12), split out of `sample_map` (Q-W2v, T4-13 ≡ T2-07) so BOTH artifacts can link the codec without the extension pulling in the whole voice engine to serialize one preset blob — the extension's `instrument_drop` and the instrument's processor read/write the identical bytes, so the cross-artifact contract cannot drift. Payload v1…v7 are the RETIRED per-zone lists: still read, lifting by adopting zone one's capture + parameters (that first zone is what the old first-match resolve actually played, so it is also what supersedes the envelope's stored selection id). Payload v9 appends the per-voice filter tail; a v8 blob is a strict prefix of it and lifts to the off/neutral filter default. Every tail since is a strict suffix on the same discipline — v10 the staged curves, v11 the loop crossfade, v12 the velocity→pitch curve, v13 the dual Staged/Spline state (the three contours, plus hard-flag tails for the three velocity curves — their v7/v9/v12 blocks are frozen at 16 bytes/point and had no room for a per-point flag). v12 also RE-TAGS the y DOMAIN of one frozen slot inside the v9 filter tail — its velocity curve reads bipolar from v12 on, unipolar before — which needs no version branch, because a pre-v12 curve's y values are already valid bipolar ones; every other filter slot, `velAmount` included, keeps its meaning.
 - `params_payload` — the PARAMS-PAYLOAD half of that codec, split from the envelope half on the axis the format already has: the payload carries its own version and grows independently, so the two version ladders are two responsibilities. An INTERNAL seam — the public entry points stay `serialize`/`deserializeComponentState`. The prose ladder and every version constant stay in `component_state_io.h`, their one home.
 - `bank_sync` — generation change-detection + assignment-request consume: owns the yes/no decision logic so the rules are provable without a host. The processor shell owns cadence and side effects.
 - `bridge_marshal` — pure marshalling helper for the REAPER VST-host bridge read: interprets the `GetProjExtState` int return against its filled buffer.
@@ -286,8 +307,9 @@ anything for a trigger shape.
 - `browser_scroll` — scroll + type-to-filter layered over `capture_browser`: vertical scroll offset, scrollbar thumb, thumb-drag mapping, and name-substring search.
 - `param_slider` — parameter control-panel: vertical stack of TOGGLE (two-segment selector) and SLIDER (horizontal track) rows; maps normalized value to/from handle pixel.
 - `embed_strip` — compact single-row control layout for embed mode in the track FX chain.
-- `knob_deck` — pure knob-deck layout + hit-test (FB1): group-box / caption-row / compact-toggle / knob-cell geometry, deterministic whole-group wrap, `DeckLayout` / `DeckHit`. Mirror of `action_bar`/`param_slider`; no LICE or REAPER types.
-- `deck_groups` — also home to `isLiveDeckParam` and `liveCommitFor`, the editor's whole commit-tier routing decision (see "Live parameter delivery" above), and to `OverlayEnv` + `nextOverlaySelection`/`overlayEnvInert`, the whole overlay-selection state machine (exclusivity, the none resting state, and which selections a disabled group makes inert); WHICH groups the Sample face's deck carries, split from `knob_deck`'s HOW they lay out: the `DeckParam` control-id space (the editor's `ParamControl` is an alias of it), the `DeckGroupId` list, `sampleDeckGroups` in signal-flow order (**pitch → filter → amp**, then velocity/voice/master), and the deck's bipolar-knob law. Reads `PlayMode` for the AMP group's Gate/Trigger face, which is why this and not `knob_deck` is the module that touches the engine's value layer. Also home to `CurveTarget` + `curveTargetFor` — the VELOCITY group's three cells are popup openers, not dials, and that predicate is the ONE place they are named, so paint, hit-test routing and the popup's title all agree. MASTER is reserved for post-voice-mixer concerns, which is why the curves sit in their own group immediately left of VOICE rather than there.
+- `knob_deck` — pure knob-deck layout + hit-test (FB1): group-box / caption-row / compact-toggle / knob-cell geometry, deterministic whole-group wrap, `DeckLayout` / `DeckHit`. Mirror of `action_bar`/`param_slider`; no LICE or REAPER types. A group carries TWO caption-toggle slots, laid right-to-left: the second exists because a group whose knob row is wider than its caption row has caption slack a toggle can occupy for free, and the deck has six pixels of headroom on its first row at the editor's floor width — a `rowToggle` would widen the GROUP and wrap the deck to a fourth row, past what the minimum window holds.
+- `deck_groups` — also home to `isLiveDeckParam` and `liveCommitFor`, the editor's whole commit-tier routing decision (see "Live parameter delivery" above), and to `OverlayEnv` + `nextOverlaySelection`/`overlayEnvEnabled`/`overlayEnvInert`, the whole overlay-selection state machine (exclusivity, the none resting state, and which selections a disabled or DRAWN group makes inert); WHICH groups the Sample face's deck carries, split from `knob_deck`'s HOW they lay out: the `DeckParam` control-id space (the editor's `ParamControl` is an alias of it), the `DeckGroupId` list, `sampleDeckGroups` in signal-flow order (**pitch → filter → amp**, then velocity/voice/master), and the deck's bipolar-knob law. Reads `PlayMode` for the AMP group's Gate/Trigger face, which is why this and not `knob_deck` is the module that touches the engine's value layer. Also home to `CurveTarget` + `curveTargetFor` — the VELOCITY group's three cells are popup openers, not dials, and that predicate is the ONE place they are named, so paint, hit-test routing and the popup's title all agree. MASTER is reserved for post-voice-mixer concerns, which is why the curves sit in their own group immediately left of VOICE rather than there.
+- `spline_edit` — THE point-editing grammar, and the one place it is written down: left-click grabs a node and adds one in empty space, right-click deletes, control-click toggles hard/smooth. Both spline consumers — the velocity-curve popup and the spline EG overlay — route their mouse-down through `resolveSplineEdit`, so the two cannot drift into two grammars. The endpoint and point-count rules are NOT restated here: `deletePoint` and `addPoint` own them, and the caller applies the resolved action to the curve. Also home to `splineOverlayBox`, the contour's mapping box inside the waveform overlay — the FULL area, no inset, so the drawn contour stays 1:1 with the sample's time axis.
 - `curve_popup` — pure curve-popup geometry + dismissal test (FB1): centered sheet over the Sample face — width/height clamps, title row, Close button rect, curve-box rect, outside-sheet dismissal test. Mirror of `overflow_menu`; no LICE or REAPER types.
 - `envelope_overlay` — pure staged-envelope→polyline geometry for the Sample-view overlay (read from `envelope_overlay.h`): maps a `StageEnvelope` to a polyline inside a rect under whichever of TWO layout policies its `EnvKind` selects — an AHDSR draws a bounded param-domain schematic with its release RIGHT-ANCHORED to the canvas edge, an AHD draws 1:1 over the waveform's own time axis — plus a round mid-segment knot on every sloped stage that has a duration. Every vertex clamped in-canvas. Shares the `EnvNode`/`StageEnvelope`/`timeToX`/`levelToY` vocabulary with `envelope_edit` so the drawn handle and its grab region agree pixel-for-pixel. No VST3/REAPER/LICE types at the boundary.
 - `envelope_edit` — pure node hit-test + pixel-delta→clamped-param inverse map for the draggable envelope nodes and their curve knots (read from `envelope_edit.h`): `nodeAtPoint` resolves a grab to the nearest node within a pick radius (Chebyshev distance, draw-order tie-break, knots appended last so a coincident endpoint handle wins); `resolveNodeDrag` maps a pixel delta since grab to a new `StageEnvelope` under the same caller-supplied per-param clamp bounds the knobs use — a drag can never produce a param a knob couldn't. Mirror of `card_drag`/`waveform_view`; the inverse of `envelope_overlay`'s params→polyline forward map, so node-drag, knot-drag and knob-edit read/write one shared model and can never diverge.