docs: collapse Phase Gamma Wave 2 to its landed record, and correct five spec claims the implementation disproved

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2026-08-02 06:51:04 -04:00
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@@ -715,7 +715,7 @@ caution:
- **after W1-T2 and W2-T1**, because every control that could be a parameter must exist
before the list is declared — the list is derived from the control inventory, and an
inventory that is still growing produces a list that has to be re-frozen;
- **after W2-T1 specifically**, because `isLiveDeckParam` becoming three-valued is the
- **after W2-T1 specifically**, because `deckParamCommit` becoming three-valued is the
*prerequisite* of the classification, not an incidental of it: the exposed set is exactly
`Live NoteOnLatched`;
- **after W3-T1**, because MASTER's inventory (the limiter toggle, the GR bubble, the
@@ -824,7 +824,7 @@ exact interim layout; do not "fix" it in a track that does not own it.
Full wording: `docs/product/parameter-automation.md` §6.3.
- **The exposed parameter set is DERIVED, never hand-maintained.** A control is a parameter
if and only if its commit class is `Live` or `NoteOnLatched`. There is no second table
beside `isLiveDeckParam` / `liveCommitFor`, and no list that can drift from it.
beside `deckParamCommit` / `liveCommitFor`, and no list that can drift from it.
- **The window floor is 1190 × 680 and must not exceed 1280 × 720.** **Γ-W1-T4 sets it, in
wave 1; no other track in the phase may move it**, and from that point every track is
authored and judged at it. A track that pushes the floor past 1280 has failed, not overrun.
@@ -940,280 +940,59 @@ earlier findings closed. The closing measurement (one-machine, Debug-build) is r
### Γ-W2 — New controls, and the overlay's marks
**Depends on Γ-W1 for — four dependencies, two of them new:**
1. **T1 ← W1-T1 (taper law).** Rate and Pitch must be authored into the finished
taper/modifier law, not retro-fitted into it, and the semitone taper must exist before a
second semitone knob does.
2. **T1 ← W1-T5 (the stretcher) — NEW, and the reason the interim path is gone.** Preserve
Rate has no engine without it. Under the prior four-wave order this dependency ran the other
way and was paid for with a disposable resample-and-cancel stand-in; the resequencing
inverts it. **Rate must not ship before its Preserve engine.**
3. **T2 ← W1-T3 (the contour trace).** Both write `editor_paint_waveform.cpp`; running them
together is a merge fight in one file.
4. **T2 ← W1-T1 and W1-T4, weakly.** W1-T1 also edits `editor_input_waveform.cpp` (the
modifier read), which T2 rewrites for marker hit-test routing — serial, so not a conflict,
but T2 rebases onto it. And T2's "the enable costs no window width" criterion is now
asserted against **W1-T4's** derived floor test rather than one this track has to write.
**Depended on Γ-W1** for the taper law and the Preserve stretcher (T1), and the contour trace
and the floor/row law (T2) — see `docs/COMPLETED.md` for the full narrative.
T1 additionally inherits `engine/voice.{h,cpp}` from W1-T5 — a **hand-off, not a conflict**:
W1-T5 defines the Preserve ratio seam, and T1 feeds it. Serial across waves by construction.
**Disjointness — re-verified against this wave's membership, not carried over.** Both tracks
stayed in W2 and nothing entered or left it, so the prior finding is re-checked and stands. T1
owns the parameter model, the engine and the deck descriptors; T2 owns the waveform band's
marks and their pure geometry **and the chrome row's loop enable**. The two are disjoint at the
module level with **one named exception: `shell/instrument/editor_session.cpp`.** T1 may touch
it for the third commit tier's routing; **T2 owns `pickedMarkers` and `applyMarkers` there and
nothing else.** The partition is by function and the two do not overlap — **textual merge
adjacency, not semantic contention** — but it is a shared file in a phase whose wave boundaries
are otherwise single-writer surfaces, so it is stated rather than discovered at merge. Whichever
track lands second rebases onto the first. No *new* in-wave adjacency was created by the
resequencing: T2 touches neither `deck_values` nor `deck_groups` nor `voice`.
**One cross-wave hand-off, new with Ruling 2 and NOT a contention.** Rate's taper — linear in
semitones over ±12, the stated exception to the centre-expansion law — belongs in the **taper
module Γ-W1-T1 extracts**, since that module is the one home of every map. T1 therefore
appends a law to a module a previous wave created. Serial across waves by construction, the
same shape as its `engine/voice.{h,cpp}` hand-off from W1-T5. **What would be wrong is a
second taper defined inside `deck_values`' binding** — one home, appended to, not forked.
**The format ladder stays clean.** The loop enable maps onto the existing
`SampleLoop::hasLoop`, which is already persisted and whose `start`/`end` are already written
unconditionally — **no new field, no version bump** — so T1 keeps sole ownership of **the
phase's second payload rung** exactly as specced (v16 on this branch as of 2026-08-01, which
has already integrated Ξ; read the ladder rather than assuming the number).
**Both tracks have landed** — Γ-W2-T1 (`pitch-rate-deck`) and Γ-W2-T2 (`loop-crossfade-ux`) —
see `docs/COMPLETED.md` for the full narrative of each.
#### Γ-W2-T1 — `pitch-rate-deck`
**Goal.** PITCH becomes **PITCH/RATE**: three knobs (`Key Trk | Rate | Pitch`) under the
existing Varisp|Presrv toggle, with both new controls wired through the engine.
**Landed** — see `docs/COMPLETED.md` for the full narrative. PITCH became PITCH/RATE: three
knobs (`Key Trk | Rate | Pitch`) under the existing Varisp|Presrv toggle, both new controls
wired through the engine. Rate is 50200 % on a taper linear in semitones over ±12 (the stated
exception to the centre-expansion law), note-on latched; Pitch is a ±24 st baseline offset,
live. Keytrack × rate × pitch-offset compound into a single read-increment multiply — the
per-sample path gained nothing. Merged as `9dbb8b8`; spent the phase's second payload rung,
v16, as a strict suffix, a v15 blob lifting to rate 100 % / pitch 0 st.
**Spec:** `docs/product/instrument-control-surface.md` §2.
**`isLiveDeckParam` was renamed `deckParamCommit`** and now returns a three-state `LiveCommit`
(`Live` / `NoteOnLatched` / `Reload`) rather than a bool — one predicate widened, not a second
mechanism. **Rate classifies `NoteOnLatched`, Pitch classifies `Live`; Γ-W4-T1 derives the
VST3 exposed parameter set from this predicate**, so the classification is load-bearing two
waves out.
**Surface boundary — owns:** `core/instrument/engine/play_params.h` +
`core/instrument/map/play_seconds.h` (the two new fields),
`core/instrument/map/component_state_io` + `params_payload` (**the phase's SECOND payload
rung** — v16 on this branch as of 2026-08-01, which has already integrated Ξ; read the ladder,
do not assume the number),
`core/instrument/engine/voice.{h,cpp}` (the compounding and the note-on latch),
`core/instrument/ui/deck_groups` (the PITCH/RATE descriptor **and** the three-state live
predicate), `core/instrument/ui/deck_values` (the two new bindings). **Does not own** the
deck's row layout — that is Γ-W3-T1 — nor the time-stretcher itself (Γ-W1-T5, already landed
by the time this track runs) — nor the pitch-synchronous splice geometry that gates Preserve
Rate (Γ-W1-T7, also already landed by the time this track runs).
**Behavior.**
- **Rate: 50 %200 %, default 100 % at true knob centre, exponential taper** — 50 % = 12 st,
200 % = +12 st, musically symmetric. This is **linear in semitones over ±12** and is the
stated exception to W1-T1's centre-expansion law (which applies to semitone knobs whose
throw exceeds ±12).
- **Pitch: a baseline pitch offset, ±24 semitones**, centred, on W1-T1's centre-expanded
semitone taper. **Reads `kPitchDepthMaxSemis`; does not mint a second constant.**
- **Varispeed:** keytrack ratio × rate ratio × pitch-offset ratio **compound into a single
read-increment multiply**; the rate offset applies to the varispeed pitch. Composes with
the pitch envelope's existing per-frame `ratio_` multiply — **no new per-sample stage**.
- **Preserve:** rate is an **absolute** value driving **duration only**; keytrack and pitch
offset drive the pitch shifter. **Rate drives the stretch ratio Γ-W1-T5's stretcher already
consumes — there is no interim path.** The stretcher is this track's prerequisite, not its
successor; the resample-and-cancel stand-in the prior plan carried is retired unbuilt (see
Open questions for the contingency). `core/instrument/CLAUDE.md`'s "never wire
`WDL_Resampler` as the duration-preserving path" is honoured by construction.
- **Rate is latched at note-on**, delivered by a **third commit class**: published into the
live block like any live parameter, read only by `snapLive`, never by `applyLive`.
`isLiveDeckParam`/`liveCommitFor` widens from two states to three
(`Live` / `NoteOnLatched` / `Reload`) in that one predicate — **not** a second table, and
**not** the reload tier (a swept knob must never trigger a WAV re-decode). **Record the
reason in the header:** loop resolution and contour mapping are note-on folds, so live rate
means re-folding a resolved loop and re-mapping a contour mid-note.
- **Pitch is live** — under Varispeed one more factor in a multiply the pitch envelope already
performs; under Preserve an addend to a shift the pitch envelope already modulates.
- **Loop points scale with rate; contours scale with rate.** Neither rewrites stored values:
the loop is source-frame facts traversed at the new increment (Varispeed) or the new read
rate (Preserve), and a contour is a function of normalized position. **Staged envelope stage
times do NOT scale** — 30 ms is 30 ms at any rate. That asymmetry is deliberate: a contour is
of the sample, a staged envelope is of the performance.
- **Deck descriptor:** three cells; `captionWidth` **70**, hard ceiling **80** (above that the
caption row overtakes the 180 px knob row and the group exceeds 192). If the text will not
fit at 80, narrow the `Varisp|Presrv` segments 48 → 44 (ceiling becomes 88) — **do not widen
the group**.
- **The payload rung** appends both fields as a strict suffix; the preceding version's blob
lifts to rate 100 % / pitch 0 st, bit-identical playback.
- **Both new `DeckParam`s are classified in the three-state predicate, and that classification
is what puts them in the VST3 parameter list three waves later** — Rate `NoteOnLatched`,
Pitch `Live`. Γ-W4-T1 derives the exposed set from this predicate rather than from a list
of its own, so a mis-classification here is a mis-declared parameter there.
**Acceptance criteria.**
- Rate at 50 % plays an octave down and half speed under Varispeed; at 200 %, an octave up and
double speed. Under Preserve the same settings change duration only — pitch is unchanged
within the stretcher's tolerance. **Preserve Rate is a finished feature the day this lands**,
because Γ-W1-T5 already shipped its engine; a degraded or inert Preserve Rate is a failed
track, not an acceptable interim.
- Rate at exactly 100 % and Pitch at exactly 0 st render **bit-identical** to the
pre-change build, in both engines.
- Shift-drag on Rate lands on whole semitones (so an octave and a fifth are reachable by
hand); Shift-drag on Pitch lands on whole semitones; Ctrl gives cents on both.
- **A Rate change while a note sounds does not alter that note**; the next note-on takes it.
**It does not trigger a reload or an engine rebuild** — assert the tier, not just the sound.
- A Pitch change **does** move a sounding note, in both engines.
- With a loop set, changing Rate changes the loop's audible period without moving either
waveform marker.
- The PITCH/RATE group measures **exactly 192 px**; adding the two `DeckParam`s produces a
compile error in `isLiveDeckParam`'s exhaustive switch until they are classified.
- A project saved at the preceding payload version reopens at rate 100 % / pitch 0 st and
sounds identical.
**Open questions.**
- **None [Daniel].**
- **[propose at review]** Rate's clamp behaviour at the range extremes as it meets the
stretcher's own ratio bounds — one clamp, resolved where the two meet, not two that can
disagree.
- **Named contingency, not a plan item, and not to be taken silently.** If Γ-W1-T5's
measure-and-report gate has not passed when this track is ready to dispatch, the pre-agreed
fallback is the **resample-and-cancel composition** spec §2.5 records — a resampled read with
the resulting pitch change cancelled in the existing SOLA shifter — shipped as an interim
Preserve path with the stretcher as its later quality upgrade, i.e. a return to the prior
four-wave order. **Escalate to Daniel rather than taking it:** it revives a disposable
implementation and re-opens the `WDL_Resampler` guardrail conversation, and the whole point of
the resequencing was to avoid building it.
Code review found one Critical (the resample bake read a stale frame window at non-unity Rate;
fixed by deriving the window from the rate the voice actually reads at, proved non-vacuous by
reverting the fix) and folded in a ruling that Pitch, unlike key-track and velocity, is now
compensated against Varispeed's stage-time coupling. A Varispeed golden hash was added,
honestly witnessed from the remediation commit rather than pre-track, so it stands as a
witness for the next track rather than proof of this one.
#### Γ-W2-T2 — `loop-crossfade-ux`
**Goal.** Give the loop an explicit enable, make the loop and crossfade marks legible, and
paint the crossfade where it is actually heard.
**Landed** — see `docs/COMPLETED.md` for the full narrative. An explicit loop enable, a
legible mark grammar, and the crossfade painted where it is heard. **No format change** — no
`ComponentState` version moved, no new persisted field, `resolveLoop` untouched, audio
unchanged. The enable **is** `SampleLoop::hasLoop`, whose provenance changes from
marker-gesture-derived to user-owned, with the gestures as shortcuts onto it. Merged as
`a8e30a9`. A new pure module, `core/instrument/ui/loop_marks`, holds the state machine
(`resolveLoopMarks`/`applyLoopMarks`); the four marks (START/LOOP/END/XFADE) get one grammar —
line + shaped cap + label, the cap being the grip — with cap/label/suppression geometry pure
and unit-tested. The crossfade moved to `[loopEnd crossfade, loopEnd)`, drawing as a
top-and-bottom edge wedge, never a second fill; the loop fill's peak alpha stays exactly 0.20.
**Spec:** `docs/product/instrument-control-surface.md` §6 — **read §6.1 (the diagnosis),
§6.4 (the enable) and §6.5 (trade-offs) in full before starting.** This is the phase's one
genuinely designed surface; the sections are the brief.
**START draws in `overlay/trace`, a deliberate deviation from
`docs/product/instrument-control-surface.md` §6.3's table**, because the spec's
`accent/primary` choice would measure 1:1 against the waveform fill it marks.
**Surface boundary — owns:** `shell/instrument/editor_paint_waveform.cpp`'s marker/loop draw,
`shell/instrument/editor_input_waveform.cpp`'s marker hit-test routing,
`core/instrument/ui/waveform_view` (cap rects, label boxes, the label-suppression rule — all
pure, all CTest-covered), and — **new, from the Γ-F4 ruling**
`core/instrument/ui/sample_chrome` (the enable's rect in the toolbar control run),
`shell/instrument/editor_paint_chrome` + `editor_input_chrome` (its draw and hit-test), and
`shell/instrument/editor_session.cpp`'s **`pickedMarkers` / `applyMarkers` only** (the
retention rule — see the wave header for the shared-file partition). **Does not own**
`loop_span`, the crossfade model, any parameter, or any `ComponentState` version. **This
track changes drawing, hit-testing and one editor-state retention rule — no format change.**
**Behavior.**
- **An explicit loop enable on the CHROME ROW (Γ-F4, ruled).** A two-segment `Loop Off|On`
toggle joins the toolbar row's right-anchored control run, **immediately left of the
`Mono|Stereo` toggle**, with Browse still rightmost. Loop is a waveform-overlay concept and
**has no deck** — a deck cell was never the right home. Because the run is right-anchored
and the title slot absorbs it, **this costs zero window width and none of the 90 px
headroom**; if the title will not hold its text at the 1190 floor, **the enable's segments
narrow — the floor does not move.**
- **The enable IS `SampleLoop::hasLoop`. No new field, no version bump.** The field already
exists (`play_params.h:210`), is already what `resolveLoop` refuses on
(`loop_span.cpp:12`), and is already persisted in the payload's `loopOverride` block —
where **`start`/`end` are written unconditionally whatever `hasLoop` says**
(`params_payload.cpp:31-36`), so the wire can already carry "off, with a span remembered."
What changes is the field's *provenance*: today it is derived from the marker gesture, and
after this track it is **user-owned**, with the gestures as shortcuts onto it.
- **Collapse-to-off survives as a shortcut, not as a second state machine.** `hasLoop` is the
single authority; four gestures reach it:
| Gesture | Enable | Span | Crossfade |
|---|---|---|---|
| Enable → On | on | retained | retained |
| Enable → Off | off | **retained** | **retained** |
| Collapse the span onto itself | off | **destroyed**, re-parked at `defaultLoopBounds` | **zeroed** |
| Drag either loop mark while off | **on** | takes the drag | retained, re-clamped |
- **Two consequent behaviour changes, each with its reason.** (a) `pickedMarkers`'
re-park (`editor_session.cpp:221-226`) currently triggers on `!hasLoop`; it must become
conditional on the span being **invalid** (collapsed / inverted / out of range) rather than
on the enable being off — a toggle whose off→on does not restore what was there is a delete
button, not a toggle. (b) `applyMarkers`' crossfade zeroing (`:240-243`) moves from "the
enable is off" to "the span was destroyed." **The original reasoning is preserved, not
overruled:** it zeroes so a stale length cannot silently re-apply against a span that no
longer exists; with the span retained, its clamp bound is retained too and there is nothing
stale.
- **The "drag me" affordance splits into two off-states.** Off with **no span ever set**
pair parked at `defaultLoopBounds`, Disabled, caption `DRAG TO SET LOOP`. Off with a **span
retained** — pair Disabled *at its own positions*, caption `LOOP OFF` (there is nothing to
"set"). In both, **dragging a mark turns the enable on** — the shipped drag-to-create
gesture survives and now teaches the enable by demonstration.
- **In Trigger the enable draws Disabled and inert, and does NOT clear `hasLoop`**
Disabled-not-hidden, the same grammar as the marks, with its state restored on the return to
Gate. This transitively covers the drawn-EG case via `enforceGateUnavailableWhileDrawn`
(`play_params.h:198-205`), which forces Trigger whenever an envelope is drawn — one
predicate, not a second rule. **Disabled-but-grabbable (the off marks) vs.
Disabled-and-inert (Trigger) is deliberate:** the user's own off is reversible by the very
gesture on offer; Trigger's refusal comes from the engine and no drag can talk it out of it.
- **One mark grammar: line + shaped cap + label. The cap IS the grip.** Four marks:
**START** (`accent/primary`, solid right-pointing triangle cap, solid line — the only
primary-ink mark, because it is the only one always in effect); **LOOP** (`accent/secondary`,
L-cap opening right); **END** (`accent/secondary`, L-cap opening left); **XFADE**
(`accent/secondary` reduced alpha, ramp cap, **dashed** line — a soft boundary). This
replaces the bare 10 px orphan tab that today marks the crossfade with no line of its own.
- **Labels** in `Font::Micro`/`TextDim`, drawn **beneath** the trace and handles in z-order.
A mark's label **re-draws on top on hover or drag** of that mark. **A label is suppressed if
its box would overlap one already placed**; placement order is grabbed/hovered first, then
START, LOOP, END, XFADE. Occlusion by an envelope node is **accepted and named** — the cap
shape carries the identity permanently, the label is for learning.
- **The crossfade moves to `[loopEnd crossfade, loopEnd)`** — where it is audible. The
handle moves to the loop-end side; **drag direction is unchanged** (left lengthens), so the
muscle memory survives.
- **The crossfade region draws as a top-and-bottom edge wedge, NEVER as a second fill.** A
triangular band at the overlay's top and bottom edges growing from zero at
`loopEnd crossfade` to ~10 px at `loopEnd`. **This is a hard constraint:** the region is
now *inside* the loop span, where a translucent fill would stack on the 0.20 loop fill, and
the envelope trace crossing that fill is a known, accepted under-floor pair at 2.25:1
(`editor_paint_waveform.cpp:28-34`), whose own note says the FILL is what changes if it is
ever resolved. **The loop fill's peak alpha must stay exactly 0.20.**
- **The ingredient draws as a ghost.** `[loopStart crossfade, loopStart)` draws the mirror
wedge at half alpha, no handle — **a hairline dashed outline at rest, filling in on hover or
drag of the crossfade handle**. This makes the `crossfade ≤ min(start, loopLength)` clamp
self-explanatory: the fade stops growing exactly when the ghost's left edge reaches START or
LOOP, so the user sees the reason instead of hitting an invisible wall.
- **Trigger mode:** the loop pair and the crossfade mark draw **Disabled and are not
grabbable**, with a dim `LOOP — GATE ONLY` caption — Disabled rather than hidden, matching
the editor's existing Gate-segment grammar, and because hiding a set loop on a mode flip
destroys information the user put there. START stays fully live.
**Acceptance criteria.**
- The four marks are distinguishable by ink and cap shape with the labels suppressed, and
named when they are not.
- **The shaded crossfade region sits over the frames where the fade is audible** — verify
against a rendered loop, not by reading the code.
- Every mark is grabbable by its cap; grabbing a mark shows its label.
- The crossfade at its clamp shows the ghost's left edge coincident with the bounding mark.
- **The loop fill's peak alpha is unchanged at 0.20** and the accepted 2.25:1 trace pair is
neither improved nor worsened.
- In Trigger, no loop mark accepts a grab, the chrome enable is Disabled and inert, and the
reason is on screen. Returning to Gate restores the enable's prior state.
- **Turning the enable off and on again restores the loop exactly** — same span, same
crossfade, no re-park. Collapsing the span instead turns it off, re-parks at
`defaultLoopBounds` and zeroes the crossfade. Both paths asserted.
- **Dragging a loop mark while the enable is off turns it on**, in both off-states.
- **The enable costs no window width:** `kEditorMinWidth` is unchanged by this track, asserted
by the same derived test that guards the floor.
- **No `ComponentState` version moves; no new persisted field; `resolveLoop` is untouched;
audio is unchanged.** The enable round-trips save/reload through the existing
`loopOverride` block, in both states, with the span retained across an off.
- All cap/label/suppression geometry is pure and unit-tested; no hit-test math in the painter.
The enable's rect lands in `sample_chrome` alongside the rest of the control run.
**Open questions.**
- **[propose at review, then verify by hand]** The claim-arbitration inputs change:
`markerHandleRect` today gives a tab to the crossfade only, and `resolveWaveformClaim`
breaks ties by smallest nominal target area. Giving every mark a cap-grip changes the
candidate set **and every nominal area in it**. The arbitration must be re-derived, and
`docs/TODO.md`'s open entry *"Pre-existing staged-envelope-node shadow at zero-attack"*
must be **re-evaluated against the new cap geometry and its outcome recorded** — resolved or
worsened, either is acceptable, silence is not.
- **No [Daniel] questions.** Fork Γ-F4 is ruled — there **is** an explicit enable and it is on
the chrome row, in this track. The prior framing ("an enable needs a cell, so it is a Γ-W3
layout decision") was wrong and is retired: loop has no deck, so it never needed one.
- **[propose at review]** every site that currently *infers* `hasLoop` — two in
`editor_input_waveform` (`:255`, `:258`), two in `editor_session` (`:222`, `:236`) — is now
writing to a user-visible control rather than to an internal flag. Re-read each in that
light; "it still compiles" is not a disposition.
- **Named escalation, not a fallback to take silently:** if the top strip reads crowded in the
DAW, the pre-designed answer is the marker rail (spec §6.2, Direction 2) — a larger build
that would also dissolve the arbitration problem structurally. Escalate; do not improvise a
half-rail.
Code review found three Majors, all fixed before merge. `docs/TODO.md`'s "Pre-existing
staged-envelope-node shadow at zero-attack" entry was resolved incidentally — giving START a
cap is what closed it — and rewritten in place with the recorded outcome by the track itself.
**One thing is deliberately left open, not accepted:** the audible crossfade wedge draws at
1.60:1 against the envelope trace, under the 3:1 floor, with no alpha fix available; Daniel is
judging it visually in the DAW and has not yet ruled. **Neither track has been verified in a
running DAW; both are asserted in CTest only** — 99/99, Debug config, on one machine.
---
@@ -1437,7 +1216,7 @@ courtesy:**
2. **← W1-T2 and W2-T1.** Every control that could be a parameter must exist before the list
is declared. The list is derived from the control inventory; an inventory still growing
produces a list that has to be re-frozen, and it cannot be.
3. **← W2-T1 specifically.** `isLiveDeckParam` becoming three-valued is the *prerequisite* of
3. **← W2-T1 specifically.** `deckParamCommit` becoming three-valued is the *prerequisite* of
the classification, not an incidental: the exposed set is exactly `Live NoteOnLatched`.
4. **← W3-T1.** MASTER's inventory (limiter toggle, GR bubble, reserved cell) is the last
change to what controls exist at all.
@@ -1493,7 +1272,7 @@ value semantics, any deck geometry, or the bake's reset *membership* (W3-T2's).
derivation and why the within-block order is seeded ONCE rather than tracked against
`cellIds`; **§6.3 for the freeze invariant, which is to be stated in the table's header with
the same force as the command-id strings, the class UIDs and the payload field order.**
- **The exposed set is DERIVED from `isLiveDeckParam` / `liveCommitFor`, never
- **The exposed set is DERIVED from `deckParamCommit` / `liveCommitFor`, never
hand-maintained** — a control is a parameter iff its class is `Live` or `NoteOnLatched`.
**44 parameters** at the end of Γ-W3, enumerated by group in §7.1.
- **Everything else is OMITTED from the list entirely**, not exposed-and-flagged: the reload
@@ -3731,8 +3510,9 @@ proof it exists to give.
from `TODO-1.0.md`, and not a track this plan originally scoped. The second such track
in this plan today; if others appear, they belong on this list rather than in the
table.
- **All of Phase Γ** (`pg-*`). **Ten tracks across four waves**, from a direct interview with
Daniel (2026-08-01) and his four later rulings the same day, not from `TODO-1.0.md`. Listed
- **All of Phase Γ** (`pg-*`). **Twelve tracks across four waves** (W1 seven, W2 two, W3 two,
W4 one), from a direct interview with Daniel (2026-08-01) and his four later rulings the
same day, not from `TODO-1.0.md`. Listed
here as a block rather than per track, because the whole phase is outside the source doc;
the product reasoning lives in `docs/product/instrument-control-surface.md` and the
parameter system's in `docs/product/parameter-automation.md` §§610. **Two `docs/TODO.md`
@@ -3859,7 +3639,7 @@ Phase Γ — The instrument's control surface (none of the seventeen; ends
pure libraries [no PLAN entry — see COMPLETED.md]
T7 psola-preserve ............. PSOLA-aligned splice jump; period_detect
[cadence closure — see COMPLETED.md]
W2 New controls, and the overlay's marks [2 tracks]
W2 New controls, and the overlay's marks — landed [2 tracks]
T1 pitch-rate-deck ............ Rate + Pitch, Varisp/Presrv compounding [rung 2]
T2 loop-crossfade-ux .......... four-mark grammar; fade painted where it is heard
W3 The reflow, and the bake correction [2 tracks]