# DAW verification — post-1.0 work on `dev` Checks for Θ, Ξ, Ψ, Ε, and Ρ work that no unit test can close. Build **Release**, install into `UserPlugins/`, restart REAPER. Panel tail toggle = **None**, project rate 48000, unless a check says otherwise. ## Precision invariants - [ ] Dry offline item capture of a 2 s range, re-inserted at its source position, inverted against the source — reads silence (`CLAUDE.md:207`) - [ ] Run the identical offline capture request twice — the two files are byte-identical on disk (`CLAUDE.md:208`) - [ ] After any capture, source items and tracks are unchanged: fader, pan, mute, FX bypass, selection (`CLAUDE.md:209`) - [ ] After a realtime capture, the temp track is gone and every source track's routing is back as it was (`CLAUDE.md:209`) - [ ] Capture 10.000–12.000 s — card reads 2.000 s / 96000 frames, no leading or trailing silence (`CLAUDE.md:210`) - [ ] With an FX on the source track: item scope does NOT carry it, track scope does (`CLAUDE.md:212`) - [ ] Track scope on a child track with FX, gain, and pan set on the parent and master — neither colors the capture (`CLAUDE.md:212`) - [ ] Save, move the whole project folder elsewhere, reopen — every card still resolves and auditions (`CLAUDE.md:211`) ## The decisive observation - [ ] **Run first.** `docs/verify-track-scope-multitrack.md` §3 by hand, and count the files REAPER writes (`docs/TODO.md:552`, `docs/COMPLETED.md:894`, `docs/COMPLETED.md:906`) - [ ] Two files confirms Ψ-W1-T1 and Ψ-W3-T1 at once; **one summed file invalidates both** — stop and report, the refusal is costing a capture 1.0.0 accepted (`docs/COMPLETED.md:905`) - [ ] Then walk the rest of `docs/verify-track-scope-multitrack.md` (§1–§2, §4–§7) for the multi-track refusal itself (`docs/COMPLETED.md:898`) ## Capture range and bounds - [ ] Over an item much longer than the selection: item scope × time selection, and item scope × razor — each lands exactly the window, not the whole item (`docs/COMPLETED.md:844`) - [ ] Same source: track scope × time selection, and track scope × razor — same exact window (`docs/COMPLETED.md:844`) - [ ] One razor-union case (two disjoint areas, one track) — lands the requested window, no `ReaSampler capture failed:` line (`docs/COMPLETED.md:852`) - [ ] Capture an item whose extent already equals the window — still lands, unchanged (the byte-identity regression floor) (`docs/COMPLETED.md:849`) - [ ] **The millisecond floor — SETTLED, nothing to re-run for `TailMode::None`.** The floor lives in the custom-time-bounds field (`RENDER_BOUNDSFLAG=0`), not in the render engine. Two live 48 kHz `TailMode::None` renders on `RENDER_BOUNDSFLAG=2` (time selection, handed over via `GetSet_LoopTimeRange`) came back exact — 97627 frames against 97627 — the second over a window whose START carried a sub-millisecond remainder, with no floored model of that window able to reproduce the count. Time selection is now the only bounds mode a capture can reach; the console verdict line and the `RENDER_STARTPOS`/`ENDPOS` read-back probe that answered this are gone. Full observation: `src/core/capture/render_settings.h`'s `kRenderBoundsTimeSelection` - [ ] **Still open — Auto and Manual tail.** `checkRenderedBounds` judges `TailMode::None` only (Auto/Manual add frames by design), so the settled result covers those two by INFERENCE, not observation, and the inference rests on an unverified PREMISE too: that the (retired) floor applied to the bounds identically across all three tail modes, and that all three now hand the window over the same way. Neither is measured — both live short renders that settled the bounds mode were `TailMode::None`; no Auto or Manual capture has been observed at all. **On Auto/Manual, the ONLY automatic check left is the 0-byte gate (`checkRenderedFileNotEmpty`)** — there is no automatic bounds signal for those two modes at all until this bullet is closed by hand. What would establish it: repeat an off-grid-start capture at **Manual** over a source that is loud right to the window's end, and check the landed file's frames against window + `tailMs` — a floored edge shows up in that count. **Auto** cannot be checked by count (it trims trailing silence), so it needs the null test by ear/inversion against the source instead - [ ] `[verify — DAW]` A tail is assumed to render PAST the window end — the SDK header (`:3048`) confirms only that `RENDER_TAILMS` is a length in ms, not that it extends past the end. If that assumption is wrong, a tail capture is silently SHORTER than its window with no detector at all. Report whether either tail capture comes up short against the source - [ ] A refused render is kept for diagnosis at `/reasampler_refused/` (the refusal line names the path; a failed move leaves it unindexed in the bank folder and says so). Delete the folder when done — nothing in the bank references it - [ ] **If a capture is refused for a short render**, report the refusal line verbatim. A message naming `floored to the millisecond` means the floor is back on a mode measured escaping it; a shortfall of one or two frames with no such sentence may be the gate's own edge-convention tolerance rather than the render (`render_window.h`'s `renderHonoredBounds`) ## Names and channels - [ ] Capture from a named track — the card reads ` MM-DD HHMM`; capture again the same minute and the second carries an ordinal (`docs/COMPLETED.md:882`) - [ ] Capture from an unnamed track, and from a multi-item selection — both readable, `+N` present on the multi (`docs/COMPLETED.md:882`) - [ ] Load a named capture into ReaSampler 9000 — the same name shows there (`docs/COMPLETED.md:881`) - [ ] The card label stays legible over its scrim at every card size (`docs/COMPLETED.md:883`) - [ ] Capture a dead-center mono source — the `.wav` is roughly half the size of the equivalent stereo capture (`docs/COMPLETED.md:887`) - [ ] Insert that collapsed file on a stereo track and null it against the source — confirms REAPER sums a 1-channel item at unity (`docs/COMPLETED.md:891`) - [ ] Capture a true-stereo source — stays 2-channel, and both it and the collapsed file load into the instrument correctly (`docs/COMPLETED.md:889`) ## Mode switching - [ ] Solo tracks in Arrange, switch to Design, solo different tracks, switch back — each mode restores its own solo set verbatim (`docs/COMPLETED.md:864`) - [ ] Attempt a mode switch while the transport is playing, then while recording — both refuse, visibly (`docs/COMPLETED.md:859`) - [ ] Click the footer mode segment, save, reopen the project — the mode persisted (`docs/COMPLETED.md:861`) ## Actions and drops - [ ] Add the import action to a Media Explorer toolbar and fire it from there — it imports (`docs/COMPLETED.md:867`) - [ ] Fire the existing Main-section import binding — still works (`docs/COMPLETED.md:869`) - [ ] Unload/reload (restart REAPER) — no duplicate Media Explorer entry in the action list (`docs/COMPLETED.md:870`) - [ ] Drag one card across the arrange, over an FX window, over the TCP/MCP and back — cue changes per surface, every transition reverses (`docs/COMPLETED.md:875`, `docs/COMPLETED.md:876`) - [ ] Drag fast, and drag onto a narrow TCP — target class still resolves; no release anywhere in REAPER is a silent no-op (`docs/COMPLETED.md:875`, `docs/COMPLETED.md:878`) - [ ] Drop a single card into the arrange — an item lands at the pointer's track and time (`docs/COMPLETED.md:877`) - [ ] Drag-out to an external app twenty-plus times in a row — audio arrives every time; this is a soak, a single pass is not a gate (`docs/COMPLETED.md:109`) - [ ] Drop a capture onto an FX container — the instrument loads with that capture (`docs/COMPLETED.md:110`) ## Bank packages - [ ] **Run in full.** `docs/verify-package-transfer.md` — the whole cross-machine export/import round trip: writes-one-file, the transfer itself, re-importing the same file never overwrites, the round trip back to the source, the too-new / truncated / mid-payload-corruption refusals (each an exact string), the unsaved-project refusals, and drag-and-drop (`docs/COMPLETED.md:1126`) - [ ] Force a degraded tracking ledger and confirm the import refuses **before the file picker opens**: save a project with a bank, close REAPER, edit the saved `.rpp`'s `owned_files` ext-state value inside its `` block — corrupt the JSON for the `Unreadable` case, or bump `"v":2` to `"v":3` for the `FutureVersion` case — reopen the project, then run *ReaSampler: import bank package (.rsbank)*. Read off: the console prints the ledger-refusal block and no file dialog ever appears (`src/core/tracking/origin_ledger.h:95,101`, `src/shell/actions/package_import_action.cpp:161-167`) - [ ] Export dialog: type a destination name with no extension, then again over a name that already carries a different one (e.g. `mybank.bak`) — read off whether `GetUserFileName` appended `.rsbank` itself or ReaSampler's own re-append produced the double-extension result (`mybank.bak.rsbank`) the code expects (`src/shell/package/CLAUDE.md:112-122`) - [ ] Both the export and the import file dialogs open in front of REAPER's main window, not behind it — `GetUserFileName` takes no owner window (`src/shell/package/CLAUDE.md:110-112`) - [ ] With a ReaSampler 9000 instance's editor open on the destination project (Browse view visible), import a `.rsbank` from the docked panel — the browser reflects the new bank without closing or reopening the editor (the bank-generation bump, `src/shell/persist/session.h:114-121`, polled by the instrument at `src/shell/instrument/processor_reload.cpp:444-475`) - [ ] Drag two or more `.rsbank` files onto the docked panel in one drop — each lands as its OWN new bank, never merged into one, and if the tracking ledger is degraded the refusal prints ONCE for the whole drop rather than once per file (`src/shell/panel/panel_window.cpp:63-94`) - [ ] Kill REAPER (or the process) partway through an import so a partial bank file is stranded under its real name in the bank folder, then re-run the same import into the same project — read off what happens. Whether the import verb should pre-clean that stale debris is an open question, not yet decided (`src/shell/package/CLAUDE.md:102-108`) ## The resample bake - [ ] Bake a dialed sound — the banked file sounds like what the editor was playing (`docs/COMPLETED.md:737`) - [ ] Bake the result twice more — iteration composes, nothing is lost per pass (`docs/COMPLETED.md:737`) - [ ] Save and reopen after a bake — the instance still points at the baked capture (`docs/COMPLETED.md:737`) - [ ] Confirm no bake put an item in the arrange, and the superseded file is still on disk (`docs/COMPLETED.md:737`) - [ ] Bake from an instance in a background project tab — refuses rather than writing into the wrong bank (`docs/COMPLETED.md:725`) - [ ] Load the VST with the extension not installed — the resample affordance reads unavailable, not silently lossy (`docs/COMPLETED.md:731`) - [ ] After a bake: instance is in Trigger with start point reset, channel mode and preview velocity survived (`docs/COMPLETED.md:714`, `docs/COMPLETED.md:720`) - [ ] Gate mode + active sustain loop — "Bake Hold" appears within ~500 ms, its label fits its cell, its travel is duration-ordered (`docs/COMPLETED.md:806`) ## Render in place - [ ] Fire *Render track in place* over a track with a range selected — solo the source and the new sibling track, invert one track's polarity, and confirm silence. This is Ρ's own trust anchor: the placement is the null test performed automatically (`docs/product/render-in-place.md` §"DAW-verification obligations", `docs/COMPLETED.md` §"Phase Ρ — Render in place") - [ ] Render in place from three source positions in turn — a normal mid-folder track, a track that is last in its folder, and a folder-parent track — each time confirm the new sibling track lands at the same nesting level as the source and that the folder bus feeds (or bypasses) it correctly. Then, to settle whether `TrackList_AdjustWindows(false)` is actually needed: comment out that call in `render_in_place.cpp`'s `RunRenderTrackInPlace` (it was added preemptively, answering a question the spec had left open rather than one the code confirmed), rebuild, and repeat the folder-parent case — if nesting still displays correctly with the call removed, it can be dropped in a follow-up (`docs/product/render-in-place.md` §"DAW-verification obligations") - [ ] Render in place from a dead-centre (channel-identical) source — confirm the placed item is mono, and confirm it plays back at the same perceived level the stereo source did before the render. This is root `CLAUDE.md`'s existing mono-summing `[verify — DAW]`, promoted to load-bearing because Ρ is the first path that places a collapsed render into the mix automatically (`docs/product/render-in-place.md` §"DAW-verification obligations") - [ ] Fire Render track in place once from Arrange and once from Design. From Arrange: confirm the source track parks and the result track is visible and in the mix. From Design: confirm the source stays on the bench, the result track is parked too, then switch to Arrange and confirm the result track appears in the source's place. **In both cases wait out at least one panel timer tick before checking membership** — that is the check that catches a missing explicit-tag-wins filter or an untagged item, either of which silently reverses the ruling that the result track is always an Arrange member (`docs/product/render-in-place.md` §"Mode transitions — the source parks, the result goes to Arrange") - [ ] Render in place, then press Ctrl-Z once — confirm the new track and its item are both gone, the source track's folder depth is restored, the rendered file itself is still on disk, and the source track is still tagged Design (`docs/product/render-in-place.md` §"DAW-verification obligations") - [ ] Render in place from a named source, then run it again over the resulting (already `Capture `-prefixed) track — confirm the name does not stack a second prefix, and confirm the new sibling's colour matches the source's (the colour clone has no unit coverage at all). Repeat once from an unnamed source and confirm the result reads `Capture Track N` (`docs/product/render-in-place.md` §"DAW-verification obligations"; the name-composition logic itself — apart from the live colour clone and the real `GetTrackName`/`P_NAME` round trip — is unit-tested in `tests/test_capture_name.cpp`) - [ ] Save a project into a folder whose recording path is set away from the default (Project Settings → Media → Path), then Render track in place — confirm the rendered file lands in that configured recording path, not the project folder itself (`render_in_place.cpp`'s `RunRenderTrackInPlace`, `GetProjectPathEx`) - [ ] Render in place, save the project, and reopen it — confirm the result track (which carries an explicit `kArrangeModeId` membership record, unlike the shipped tag-selected-tracks action which never writes one) behaves identically, in every mode-switch and visibility check, to an ordinary untagged Arrange track. The JSON round-trip itself is unit-tested (`tests/test_view_mode_model.cpp`); this is the live-view half that isn't (`docs/product/render-in-place.md` §"Mode transitions — the source parks, the result goes to Arrange") ## Instrument migration - [ ] Open a project saved before the zone retirement — the instance reopens on its first zone and sounds the same (`docs/COMPLETED.md:85`) - [ ] Such an instance with implicit channel mode + a stereo capture reopens **Stereo** — confirm that is acceptable by ear (`docs/COMPLETED.md:78`) ## Look and feel - [ ] Sign off by eye in a live editor window: knob arcs, needles, envelope splines, waveform outline (`docs/COMPLETED.md:669`, `docs/COMPLETED.md:583`) - [ ] Same pass for legibility: text sizes, arc weight, and whether the waveform stroke thickens the docked panel (`docs/COMPLETED.md:613`, `docs/COMPLETED.md:562`) - [ ] Piano strip at the 840 px default — keys tile uniformly, the 37 px end gutters read as acceptable (`docs/COMPLETED.md:219`) - [ ] Resize the editor across several widths — gutters stay symmetric, no key width jumps (`docs/COMPLETED.md:217`) - [ ] Set host/OS scaling to 150% then 200% — record how the strip and the AA strokes actually look (`docs/TODO.md:418`, `docs/COMPLETED.md:226`)