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reasampler/src/core/instrument/engine/voice.cpp
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daniel 13e8c5c4d9 instrument: one staged-envelope system — per-segment curves, the sustain-less AHD, and a shared overlay for all three envelopes
Trigger's fade pair folds into the AHD (and goes live); the release anchors right;
Preserve rings its synthetic tail out instead of cutting it. Payload v10.
2026-07-31 08:37:57 -04:00

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C++

// voice.cpp — the PER-NOTE half of Voice: note-on setup (including the Preserve ring
// prime), legato retune, gate-off, and the off-thread shifter presize. The per-sample
// render half is inline in voice.h by RT constraint — see that file's header.
#include "core/instrument/engine/voice.h"
#include <algorithm>
namespace reasampler {
void Voice::presizePreserveShifters(std::int64_t windowFrames) {
// Off the audio thread (allocates). Both channels are sized so a stereo Preserve voice
// needs no allocation at note-on; a mono voice simply never process()es shiftR_. The
// prime scratch is sized here for the same reason: start() assembles the first window
// of the upcoming source into it with zero allocation.
shiftL_.configure(windowFrames);
shiftR_.configure(windowFrames);
primeBuf_.assign(windowFrames > 1 ? static_cast<std::size_t>(windowFrames) : 0, 0.0f);
}
void Voice::start(int note, int velocity, const SampleData& sample, bool declickTakeover) {
// Before any state reset, record the pre-cut reference (last rendered output) and mark
// the compensation pending iff this start is a takeover/steal of a sounding voice and the
// caller opted in. The ramp is seeded on the first frame rendered after the restart, from
// the difference between this reference and the new voice's raw output that frame
// (seedDeclick), so the boundary frame reproduces the old level exactly regardless of the
// new envelope's first value. (An earlier revision gated the add by (1 - newAmp): any
// restart whose new amplitude was instantly ~1 got zero compensation and kept the full
// click.) A fresh start (idle voice) clears the declick state. lastOut{L,R}_ are
// deliberately not zeroed here: a second same-block takeover (two steals with no frame
// rendered between) must record the same pre-cut reference, not a phantom 0.
if (declickTakeover && active_) {
// Clamp the reference to ±1.0 full scale: a bounded seed whatever the voice was doing.
declickRefL_ = (lastOutL_ > 1.0) ? 1.0 : (lastOutL_ < -1.0) ? -1.0 : lastOutL_;
declickRefR_ = (lastOutR_ > 1.0) ? 1.0 : (lastOutR_ < -1.0) ? -1.0 : lastOutR_;
declickPending_ = true;
} else {
declickPending_ = false;
}
// Any in-flight ramp is superseded: pending re-derives from the reference, which already
// includes the running declick's contribution via lastOut (it tracks post-declick output).
declickActive_ = false;
declickWeight_ = 0.0;
active_ = true;
releasing_ = false;
amplitudeDone_ = false;
note_ = note;
// Velocity->amp mapped once at note-on; the per-frame render just multiplies the cached
// velocityGain_.
velocityGain_ = sample.velocityCurve.eval(static_cast<double>(velocity));
// Feeds both engines through baseRatio_ (Varispeed read-rate bias and Preserve shift
// amount both derive from it below).
baseRatio_ = keyTrackedRatio(note, sample.rootNote, sample.keyTrack);
sample_ = &sample;
const PlayParams& p = sample.play;
playMode_ = p.playMode;
pitchEngine_ = p.pitchEngine;
// Clamp into [0, frames): a start at or past the end degrades to 0 (play from the top)
// rather than starting a voice already off the end.
const std::int64_t frameCount = static_cast<std::int64_t>(sample.frames.size());
std::int64_t start = sample.startFrame;
if (start < 0 || start >= frameCount) start = 0;
readPos_ = static_cast<double>(start);
startFrame_ = start; // the span-offset origin: readPos - startFrame
// Amplitude envelope: Gate = AHDSR (all five fields read from play.adsr, resolved to
// frames from stored seconds at load time); Trigger = the staged AHD over the % play span.
const std::int64_t postStart = frameCount - start; // >= 1 (start clamped < frameCount)
std::int64_t trigSpan = 0;
if (playMode_ == PlayMode::Gate) {
env_.configure(p.adsr);
env_.noteOn();
playEnd_ = 0; // unused in Gate
} else {
// Trigger: play [start, playEnd) where
// playEnd = start + round(lengthFraction*(frames-start)).
double frac = p.trigger.lengthFraction;
if (frac <= 0.0) frac = 0.0; // %=0 -> zero play length (finishes immediately)
if (frac > 1.0) frac = 1.0;
std::int64_t playLen = static_cast<std::int64_t>(
static_cast<double>(postStart) * frac + 0.5); // round
if (playLen < 0) playLen = 0;
if (playLen > postStart) playLen = postStart;
playEnd_ = start + playLen;
trigSpan = playLen;
ampAhd_.configure(playLen, p.trigAhd);
}
// The pitch AHD's Hold fraction is taken against the whole playable span, so its three
// stages lay 1:1 over the waveform from the start point.
pitchEnv_.configure(postStart, p.pitchEnv);
pitchEnv_.noteOn();
// A restart lands every live glide back on the new note's own values, at a step derived
// from this sample's rate rather than any assumed one.
filterRamping_ = false;
const double rampStep = instrument::engine::liveRampStep(
static_cast<double>(sample.sampleRate));
rBaseCutoff_.step = rampStep;
rModAmount_.step = rampStep;
rResonance_.step = rampStep;
rMorph_.step = rampStep;
rDrive_.step = rampStep;
// Filter: reset() clears integrator state for the new note (prepare() preserves it —
// voice_filter.h / filter/CLAUDE.md). Velocity maps through the curve once here, off the
// per-frame path, exactly as the amp's velocityGain_ does.
filterOn_ = p.filter.enabled;
if (filterOn_) {
filterSettings_ = p.filter.settings;
filterCutoffNorm_ = static_cast<double>(p.filter.settings.cutoffNorm);
filterModAmount_ = p.filter.modAmount;
filterKeyTrack_ = p.filter.keyTrack;
filterVelOffset_ =
p.filter.velAmount * p.filter.velocityCurve.eval(static_cast<double>(velocity));
filterRate_ = static_cast<double>(sample.sampleRate);
rModAmount_.set(p.filter.modAmount);
rResonance_.set(static_cast<double>(p.filter.settings.resonanceNorm));
rMorph_.set(static_cast<double>(p.filter.settings.morphNorm));
rDrive_.set(static_cast<double>(p.filter.settings.driveNorm));
if (playMode_ == PlayMode::Gate) {
filterEnv_.configure(p.filter.env);
filterEnv_.noteOn();
} else {
filterAhd_.configure(trigSpan, p.filter.trigEnv);
}
filter_.reset();
updateFilterCutoffBase(note);
// The note's ONE full solve — Q, morph and drive are constants for its lifetime unless
// a live move glides them, so every later re-solve is the cheap cutoff-only path. A
// modulated voice supersedes this cutoff in tickFilterCutoff on its first frame,
// before any sample reaches the kernel.
instrument::engine::filter::FilterSettings s = p.filter.settings;
s.cutoffNorm = filterBaseCutoff_;
filter_.prepare(s, filterRate_);
filterSolvedCutoff_ = filterBaseCutoff_;
filterSolved_ = true;
}
// Prime the already-sized per-channel shifters with the first window of the actual
// upcoming source stream (loop-unrolled under the sustain-loop wrap rule; silence past
// the sample end, since that silence is the true stream there). The tap parks on source
// frame `start`, so the voice speaks on output frame 0 at every ratio, and every splice
// has a full window of real history to land in — a silence-warmed ring instead makes
// every early splice jump into zeros (burst/gap onset). The rings and prime scratch were
// allocated off-thread by presizePreserveShifters; this path is a bounded copy, no
// allocation. Varispeed voices never touch the shifters, so a Varispeed instrument pays
// no per-frame shifter cost.
if (pitchEngine_ == PitchEngine::Preserve && shiftL_.configured()) {
const std::int64_t w = shiftL_.window();
const bool loopWrap = sustainLoopUsable();
const SampleLoop& loop = sample.loop;
const std::int64_t loopLen = loopWrap ? (loop.end - loop.start) : 0;
const bool stereoSample = sample.channelCount() == 2 && shiftR_.configured();
// The prime may only carry playable source. The per-frame feed stops at feedBound
// (playEnd_ for a bounded Trigger span, the sample end for Gate) and freezes the
// writer there — but a full window bounded only by frameCount would let a Trigger
// ring hold real PCM past the user's chosen stop (an up-shifted tap could play it,
// transposed, before the voice freed), and a shorter-than-window sample would get
// zero padding declared as valid history (splices landing in silence). So bound the
// prime by the same playable span and, when that span is shorter than a window,
// freeze the tail immediately after the prime — that machinery then recycles the
// real short tail. The sustain-loop path is unbounded by construction (the wrap
// keeps q inside the loop forever).
const std::int64_t primeBound =
(playMode_ == PlayMode::Trigger && playEnd_ > 0 && playEnd_ < frameCount)
? playEnd_ : frameCount;
const std::int64_t primeCount =
loopWrap ? w : std::min<std::int64_t>(w, primeBound - start);
// Both channels walk identical SOURCE positions (the walk depends only on loop
// geometry, not on channel PCM values) — compute `p` once for channel 0, reuse for 1.
std::int64_t p = start;
for (int ch = 0; ch < (stereoSample ? 2 : 1); ++ch) {
const std::vector<AudioSample>& pcmCh = ch == 0 ? sample.frames : sample.framesR;
std::int64_t q = start;
for (std::int64_t i = 0; i < primeCount; ++i) {
if (loopWrap) {
while (q >= loop.end) q -= loopLen;
}
// q < frameCount holds by construction on the non-loop path (primeCount is
// bounded); the guard stays as a belt for the loop-wrap walk.
primeBuf_[static_cast<std::size_t>(i)] =
(q < frameCount) ? pcmCh[static_cast<std::size_t>(q)] : 0.0f;
++q;
}
(ch == 0 ? shiftL_ : shiftR_).prime(primeBuf_.data(), primeCount);
if (ch == 0) p = q; // capture the end position once from channel 0's walk
}
// Per-frame feed continues at `p` (the feed bound when the prime exhausted the
// playable span).
feedPos_ = p;
if (!loopWrap && primeCount < w) {
// Sub-window playable span: the source is already exhausted at prime time.
shiftL_.freezeTail();
if (stereoSample) shiftR_.freezeTail();
}
}
ratio_ = baseRatio_; // seeded; advanceFrame recomputes per frame under the active engine.
}
void Voice::applyLive(const instrument::engine::LiveValues& live, bool snap) {
// Each envelope applies only the shape its play mode selected at note-on; the block
// carries both so the mode never changes what is published.
//
// A fresh note and a sounding one take DIFFERENT envelope entry points, never one with a
// flag: a voice that has rendered nothing has no phase to hold and nothing to be
// continuous with, and the mid-stage rule misreads its stage-0 position (envelopes.h).
const bool gate = (playMode_ == PlayMode::Gate);
if (snap) {
if (gate) env_.snapLive(live.adsr);
else ampAhd_.snapLive(live.ampAhd);
pitchEnv_.snapLive(live.pitchEnv);
} else {
if (gate) env_.applyLive(live.adsr);
else ampAhd_.applyLive(sourceOffset(), live.ampAhd);
pitchEnv_.applyLive(live.pitchEnv);
}
if (!filterOn_) return; // filter enable is a discrete toggle: it travels by reload
if (snap) {
if (gate) filterEnv_.snapLive(live.filterEnv);
else filterAhd_.snapLive(live.filterAhd);
} else {
if (gate) filterEnv_.applyLive(live.filterEnv);
else filterAhd_.applyLive(sourceOffset(), live.filterAhd);
}
filterCutoffNorm_ = static_cast<double>(live.filterSettings.cutoffNorm);
filterKeyTrack_ = live.filterKeyTrack;
filterSettings_.morphLaw = live.filterSettings.morphLaw;
const double baseTarget = filterCutoffBaseTarget(note_);
if (snap) {
rBaseCutoff_.set(baseTarget);
rModAmount_.set(live.filterModAmount);
rResonance_.set(static_cast<double>(live.filterSettings.resonanceNorm));
rMorph_.set(static_cast<double>(live.filterSettings.morphNorm));
rDrive_.set(static_cast<double>(live.filterSettings.driveNorm));
filterBaseCutoff_ = static_cast<float>(baseTarget);
filterModAmount_ = live.filterModAmount;
filterRamping_ = false;
prepareFilterFromRamps();
return;
}
rBaseCutoff_.aim(baseTarget);
rModAmount_.aim(live.filterModAmount);
rResonance_.aim(static_cast<double>(live.filterSettings.resonanceNorm));
rMorph_.aim(static_cast<double>(live.filterSettings.morphNorm));
rDrive_.aim(static_cast<double>(live.filterSettings.driveNorm));
filterRamping_ = rBaseCutoff_.moving() || rModAmount_.moving() || rResonance_.moving() ||
rMorph_.moving() || rDrive_.moving();
}
void Voice::retune(int note) {
// Mono legato takeover: move the pitch, touch NOTHING else — the amplitude envelope keeps
// running (no re-attack), the read head keeps its position, the shifter keeps its ring
// (Preserve picks the new baseRatio_ up via next frame's setShiftRatio; Varispeed via the
// per-frame ratio_ recompute). Velocity gain deliberately stays the first note's — a
// legato phrase is one gesture, one strike (classic mono-synth behavior).
if (!active_ || sample_ == nullptr) return;
note_ = note;
baseRatio_ = keyTrackedRatio(note, sample_->rootNote, sample_->keyTrack);
// Filter key-tracking follows the pitch: it is a function of the note, so a slide moves it
// too. The velocity offset deliberately stays the first note's, matching velocityGain_.
if (filterOn_) updateFilterCutoffBase(note);
}
void Voice::release() {
if (!active_) return;
if (playMode_ == PlayMode::Trigger) return; // Trigger ignores note-off, plays through
releasing_ = true;
env_.noteOff();
filterEnv_.noteOff();
}
} // namespace reasampler